VALUTAZIONE IMDb
7,0/10
39.508
LA TUA VALUTAZIONE
Un giovane combattente di nome Kham deve andare in Australia per recuperare il suo elefante rubato.Un giovane combattente di nome Kham deve andare in Australia per recuperare il suo elefante rubato.Un giovane combattente di nome Kham deve andare in Australia per recuperare il suo elefante rubato.
Nathan Jones
- T.K.
- (as a different name)
Xing Jin
- Madame Rose
- (as Jin Xing)
Phetthai Vongkumlao
- Mark
- (as Petchtai Wongkamlao)
Bongkoj Khongmalai
- Pla
- (as Bongkod Khongmalai)
Jon Foo
- Wushu Fighter
- (as Jonathan Patrick Foo)
David Asavanond
- Officer Rick
- (as David Chatchavan Asavanod)
Trama
Lo sapevi?
- QuizContains one of the longest no-cut fight scenes in movie history: the fight up floor after floor lasted four-plus minutes.
- BlooperIn the long-take brothel fight, Kham knocks a thug's head into a frame and glass shatters. However, the shattering glass is a CG effect and the reflection on the glass is still there. (This is due to an on-set mistake when the prop failed to break)
- Versioni alternativeUS version was cut by the distributor (The Weinstein Company) from 109 minutes to 81 minutes to 'tighten up' the film (which is frequently done with martial arts films owned by them). Additionally it has a new score by RZA.
- Colonne sonoreBaby
(Uncredited)
Written by Michael Baiardi and Maurice
Published by Soundfile Publishing
Performed by Maurice
Courtesy of Soundfile Productions, Inc.
Recensione in evidenza
The makers of 2003's Ong-Bak are back with bang, a crash, a couple of elephants and many, many cracks. In fact, every other word spoken appears to be "Argh!". Muay Thay expert-extraordinaire Tony Jaa returns to lead us once again, as his sacred elephants are poached from Thailand and sent to, of all places, Australia. As our hero Kham, he must travel there himself to basically kick the living snot out of anyone who steps in his way. And that's about it.
The maker of this film, Prachya Pinkaew, is either a really shoddy storyteller, or has clocked on to the fact that no one goes to see martial arts films for the plot. Warrior King has an almost identical structure to his first film Ong Bak: a good 25 minutes or so of religious Thai imagery, villagers roaming around with animals before someone comes along and messes everything up. Petchtai Wongkamlao essentially reprises the comedy role he played in the previous release, although this time he hogs all the comic moments, as the wafer-thin script offers little in compensation for its action scenes. All the English-spoken acting is terrible. With that said I'm assuming most of the foreign language acting is terrible too, but for obvious reasons the Australian acting stood out more. The script is full of age old Hollywood clichés such as cops being taken off the case, only to go vigilante, gold-hearted prostitutes and a whole host of colourful looking gangsters (former WWE reject Nathan Jones makes a hilarious cameo) that wouldn't look out of place in a straight-to-video Steven Seagal flick.
And yet despite the glaring faults with a film as silly as this, none of the criticisms truly matter for one simple reason: Tony Jaa is absolutely amazing. Watching our protagonist fly kick the hell out of everyone before performing all sorts of acrobatic stunts will have your jaw on the floor. The man can obviously smash through thin plot points as fast as he can human bones. The film isn't badly shot either. Apart from getting a nice sense of Thai culture and a splendid view of Sidney, Warrior King is expertly choreographed. There is one remarkable sequence in which our protagonist battles his way through four stories of the same building absolutely smashing the hell out of anything thing that moves, which seems to go on forever, taken all in one single steady-cam shot. It would make David Lean jealous.
Granted if you've seen Ong Bak watching Muay Thay for a second time won't have the same head-crushing impact. Whilst Warrior King boasts plenty of superbly choreographed action sequences, it doesn't peak as well as the much more pure Ong Bak managed to. The movie does, however, generate a sense of darkness amidst the stalking threat of campy buffoonery. So it's an impressive sophomore effort, obviously catering more towards an ever increasingly cognizant western audience.
The maker of this film, Prachya Pinkaew, is either a really shoddy storyteller, or has clocked on to the fact that no one goes to see martial arts films for the plot. Warrior King has an almost identical structure to his first film Ong Bak: a good 25 minutes or so of religious Thai imagery, villagers roaming around with animals before someone comes along and messes everything up. Petchtai Wongkamlao essentially reprises the comedy role he played in the previous release, although this time he hogs all the comic moments, as the wafer-thin script offers little in compensation for its action scenes. All the English-spoken acting is terrible. With that said I'm assuming most of the foreign language acting is terrible too, but for obvious reasons the Australian acting stood out more. The script is full of age old Hollywood clichés such as cops being taken off the case, only to go vigilante, gold-hearted prostitutes and a whole host of colourful looking gangsters (former WWE reject Nathan Jones makes a hilarious cameo) that wouldn't look out of place in a straight-to-video Steven Seagal flick.
And yet despite the glaring faults with a film as silly as this, none of the criticisms truly matter for one simple reason: Tony Jaa is absolutely amazing. Watching our protagonist fly kick the hell out of everyone before performing all sorts of acrobatic stunts will have your jaw on the floor. The man can obviously smash through thin plot points as fast as he can human bones. The film isn't badly shot either. Apart from getting a nice sense of Thai culture and a splendid view of Sidney, Warrior King is expertly choreographed. There is one remarkable sequence in which our protagonist battles his way through four stories of the same building absolutely smashing the hell out of anything thing that moves, which seems to go on forever, taken all in one single steady-cam shot. It would make David Lean jealous.
Granted if you've seen Ong Bak watching Muay Thay for a second time won't have the same head-crushing impact. Whilst Warrior King boasts plenty of superbly choreographed action sequences, it doesn't peak as well as the much more pure Ong Bak managed to. The movie does, however, generate a sense of darkness amidst the stalking threat of campy buffoonery. So it's an impressive sophomore effort, obviously catering more towards an ever increasingly cognizant western audience.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Protector
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 ฿ (previsto)
- Lordo Stati Uniti e Canada
- 12.044.087 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.034.180 USD
- 10 set 2006
- Lordo in tutto il mondo
- 27.165.581 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Canadian French language plot outline for The Protector - La legge del Muay Thai (2005)?
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