Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.
- Vincitore di 3 Oscar
- 46 vittorie e 104 candidature totali
David Dennis
- Taps
- (as David Denis)
Trama
Lo sapevi?
- QuizIt took 18 months to craft the CGI version of the Empire State Building. The real thing was built in 14 months.
- BlooperThe way Kong shakes and throws Ann around while carrying her would almost certainly snap her neck or spine.
- Citazioni
[last lines]
Carl Denham: It wasn't the airplanes. It was beauty killed the beast.
- Curiosità sui creditiThe end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong".
- Versioni alternativeOn November 14, 2006, an extended edition DVD was released with 13 minutes of additional scenes edited back into the film. Denham's party is attacked both by a Ceratops immediately upon entering the jungle to rescue Ann and by a giant fish while on rafts on a river, after which they kill a giant bird while firing blindly into the jungle (the longest addition by far). Baxter's rescue of the party is extended and finishes with Jimmy's farewell to Hayes. Kong's pursuit of the party on Skull Island and his pursuit of Driscoll in NYC are slightly extended, and there are two brief additional encounters between Kong and the military in NYC. A complete breakdown is at http://www.movie-censorship.com/report.php?ID=3550.
- ConnessioniEdited into It's All Gone King Kong (2005)
- Colonne sonoreI'm Sitting on Top of the World
Written by Ray Henderson, Joe Young, Sam Lewis (as Sam M. Lewis)
Performed by Al Jolson
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Recensione in evidenza
1933 New York and two people find themselves in difficult circumstances, albeit for different reasons. Carl Denham is a movie producer who wants to make his big picture but finds the studio unwilling to support him. Ann Darrow is an actress who has hit hard times and is one meal away from having to become a performer in a seedier version of "acting". While frantically searching for an actress that he can quickly convince to come on a mystery voyage to shoot on a distant island, Carl meets Ann and convinces her to come along on the strength of the involvement of writer Jack Driscoll. After an eventful journey, they arrive at the island but to suggest that they face a "troublesome" shoot is a real understatement.
In my 12 hour wait for my "First Class" seat for a transatlantic flight to America I discovered that "First Class" to Continental means "you pay lost more cash but we extend you just the same (dis)courtesy as the economy passengers". With my laptop with me I was at least able to find some distraction with a DVD copy of King Kong. Although I'm sure it loses something by being seen on a comparatively small screen I still enjoyed the film as a big budget b-movie, which is pretty much what it was. Sure, Jackson may have had aspirations to deepen the story and bring real pathos out of his "characters" but he doesn't particularly pull it off and most of the viewers will have been there for the big effects rather than the chance to explore the emotions within a cinematic legend. So in this regard the film works by kicking out the action after a comparatively slow start where we spend a lot of time with lesser characters who don't matter that much in the wider context of the narrative.
However when the action comes it is slick, noisy and visually impressive. The only thing I did have a problem with was how hollow it all was. Jackson does attempt to develop a tender relationship between Kong and Ann, but the material struggles to deliver the goods and all that we are left with is lots of "meaningful" looks as the pair get some sort of unspoken (and unseen!) understanding. At this level the film didn't really engage me I respected what he was trying to do with it, but I'm afraid I can't relate to those who claim to have cried and felt so much from this "beautiful" relationship.
Faced with such big effects, noise and spectacle, the cast cannot do much other than try and hold their own. Watts has the hardest role as she tries to react and bond with a creature that was never actually there with her in reality only in a computer. When you remember this, her performance is pretty commendable but when I was watching the film I must admit that I thought she relied far too much on staring and looking sad or having a half-smile on her face; she still did as well as one could have hoped but again I don't get the claims that she was brilliant here when she clearly wasn't. Black and Brody are very much supporting performances that have little to do; Brody didn't suit his role and Black never convinced as a larger than life movie producer. Yet again Serkis does a good job to bring an effect to life although for obvious reasons he is nowhere near as good as he was in the Lord of the Rings films and he can only do so much with expressions.
Overall then a solidly enjoyable blockbuster that produces plenty of noise, action and impressive visual effects. The attempts at depth and meaning are laudable and do add something to the mix but I'm afraid that it doesn't really work as well as some viewers have claimed. Still worth seeing as a blockbuster experience though, despite some of the flaws inherent in the approach and the rather cumbersome running time.
In my 12 hour wait for my "First Class" seat for a transatlantic flight to America I discovered that "First Class" to Continental means "you pay lost more cash but we extend you just the same (dis)courtesy as the economy passengers". With my laptop with me I was at least able to find some distraction with a DVD copy of King Kong. Although I'm sure it loses something by being seen on a comparatively small screen I still enjoyed the film as a big budget b-movie, which is pretty much what it was. Sure, Jackson may have had aspirations to deepen the story and bring real pathos out of his "characters" but he doesn't particularly pull it off and most of the viewers will have been there for the big effects rather than the chance to explore the emotions within a cinematic legend. So in this regard the film works by kicking out the action after a comparatively slow start where we spend a lot of time with lesser characters who don't matter that much in the wider context of the narrative.
However when the action comes it is slick, noisy and visually impressive. The only thing I did have a problem with was how hollow it all was. Jackson does attempt to develop a tender relationship between Kong and Ann, but the material struggles to deliver the goods and all that we are left with is lots of "meaningful" looks as the pair get some sort of unspoken (and unseen!) understanding. At this level the film didn't really engage me I respected what he was trying to do with it, but I'm afraid I can't relate to those who claim to have cried and felt so much from this "beautiful" relationship.
Faced with such big effects, noise and spectacle, the cast cannot do much other than try and hold their own. Watts has the hardest role as she tries to react and bond with a creature that was never actually there with her in reality only in a computer. When you remember this, her performance is pretty commendable but when I was watching the film I must admit that I thought she relied far too much on staring and looking sad or having a half-smile on her face; she still did as well as one could have hoped but again I don't get the claims that she was brilliant here when she clearly wasn't. Black and Brody are very much supporting performances that have little to do; Brody didn't suit his role and Black never convinced as a larger than life movie producer. Yet again Serkis does a good job to bring an effect to life although for obvious reasons he is nowhere near as good as he was in the Lord of the Rings films and he can only do so much with expressions.
Overall then a solidly enjoyable blockbuster that produces plenty of noise, action and impressive visual effects. The attempts at depth and meaning are laudable and do add something to the mix but I'm afraid that it doesn't really work as well as some viewers have claimed. Still worth seeing as a blockbuster experience though, despite some of the flaws inherent in the approach and the rather cumbersome running time.
- bob the moo
- 27 mag 2006
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Peter Jackson's King Kong
- Luoghi delle riprese
- Shelly Bay, Wellington, Nuova Zelanda(Skull Island)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 207.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 218.080.025 USD
- Fine settimana di apertura Stati Uniti e Canada
- 50.130.145 USD
- 18 dic 2005
- Lordo in tutto il mondo
- 556.906.378 USD
- Tempo di esecuzione3 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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