Un musicista ebreo in Polonia deve sopravvivere dopo la distruzione del ghetto di Varsavia durante la seconda guerra mondiale.Un musicista ebreo in Polonia deve sopravvivere dopo la distruzione del ghetto di Varsavia durante la seconda guerra mondiale.Un musicista ebreo in Polonia deve sopravvivere dopo la distruzione del ghetto di Varsavia durante la seconda guerra mondiale.
- Vincitore di 3 Oscar
- 57 vittorie e 74 candidature totali
Lucy Skeaping
- Street Musician
- (as Lucie Skeaping)
Trama
Lo sapevi?
- QuizDuring the shooting of the movie, while scouting locations in Krakow, Roman Polanski met a man who had helped Polanski's family survive the war.
- Blooper(at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
- Citazioni
Wladyslaw Szpilman: What are you reading?
Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.
- Curiosità sui creditiAside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
- ConnessioniFeatured in The Making of 'The Pianist' (2003)
Recensione in evidenza
I remember seeing "Schindler's list" about ten years ago, and I remember how weird I felt for being almost completely unmoved by it. Although it showed the horrors of holocaust quite realistically, somehow it all seemed just a bit too fake and exaggerated. Characters were a bit off (I still can't decide who was more over the top, Schindler or Goeth), fake sentimentalism was all over the place, . While it was a work of art and an important reminder of true events that shouldn't be forgotten, on emotional level it just somehow failed to deliver.
Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.
While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.
Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.
While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El pianista
- Luoghi delle riprese
- Instalatorów, Ochota, Varsavia, Voivodato della Masovia, Polonia(Umschlagplatz scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.590.750 USD
- Fine settimana di apertura Stati Uniti e Canada
- 111.261 USD
- 29 dic 2002
- Lordo in tutto il mondo
- 120.098.945 USD
- Tempo di esecuzione2 ore 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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