Quattro storie intrecciate che si svolgono in un vecchio albergo alla vigilia di Capodanno.Quattro storie intrecciate che si svolgono in un vecchio albergo alla vigilia di Capodanno.Quattro storie intrecciate che si svolgono in un vecchio albergo alla vigilia di Capodanno.
- Premi
- 1 vittoria e 1 candidatura
Amanda De Cadenet
- Diana (segment "The Missing Ingredient")
- (as Amanda deCadenet)
Patricia Vonne
- Corpse (segment "The Misbehavers")
- (as Patricia Vonne Rodriguez)
Trama
Lo sapevi?
- QuizThe reason Bruce Willis is not credited is because he violated SAG rules for acting in this film for no money. He appeared for fun and as a favor to Quentin Tarantino, and acting for free violated SAG rules. SAG agreed not to sue Willis if his name was not included in the credits.
- BlooperThe hotel's vintage telephone switchboard adds an element of comic chaos, but it is not consistently used. Ted answers calls to the front desk by pushing cables into jacks, but Sarah (the little girl in "The Misbehavers") is able to dial another room directly. Also, when the partying guys call and don't know what room they are in, Ted should be able to get the room number right off the switchboard which means that Ted had no excuse to deliver the ice to the wrong room. Also near the end of the scene, Ted is shouting into the phone to send the police but this would be impossible because there was no-one on the switchboard to connect him to an external line.
- Citazioni
Angela: Whether you like it or not, you are in the middle of a situation here you cannot just wish your way out of.
Ted the Bellhop: But I've never met you people before! You're complete strangers!
Angela: Everybody starts out as strangers, Ted. It's where we end up that counts.
- Curiosità sui creditiBruce Willis does not apear in the credits but his hairstylist does
- Versioni alternativeAs indicated in the Technical Specifications link for this page on IMDB, there are two different versions of this film: "1 hr 38 min (98 min)" and "1 hr 50 min (110 min) (workprint)". Information on the workprint is as follows: "[The] second version is in English but it is overdubbed with Russian. This makes it almost impossible to work out what is extra as the Russian is much louder than the English and therefore the English cannot be heard for the majority of the movie. I have done some research and have been told that it is impossible to remove the Russian audio. The disc also contains a deleted scene from the Spanish DVD that is an alternate take, not used in either the DVD Version or the Workprint."
- ConnessioniFeatured in Cinemania: Ypalliloi en drasei! (2009)
- Colonne sonoreSentimental Journey
Written by Bud Green, Les Brown, Ben Homer
Performed by Juan García Esquivel (as Esquivel)
Courtesy of The RCA Records label of BMG Music
Recensione in evidenza
"Four Rooms" is far more entertaining than you would expect from its generally negative reviews. Which is not to say that any of it is a masterpiece but if you enjoyed "Love American Style" on television and are not put off by a raunchy take on that anthology concept you should make an effort to view this film. Each story is taking place in a different room of a hotel the same night. It was made between the time Tarantino made "Pulp Fiction" and worked on "Dusk Till Dawn" with Rodriquez. Many in the large cast are Tarantino and Rodriquez regulars. Here are a few of the reasons to watch each of the four stories:
"The Missing Ingredient" - Madona has simply never looked better and her "come get me" dress will burn your eyeballs. Alicia Witt plays her stock alienated teen and delivers sarcasm as only she can.
"The Wrong Man" – Alexander Rockwell directed this segment shortly after directing "In the Soup" so he already knew how to get the most out of Jennifer Beals. Her diatribe about Ted's sex organ is a cinema classic.
"The Misbehavers" – Rodriquez directs his favorite actor Antonio Banderas in something that is a throwback to classic Laurel and Hardy. Not only do his two kids misbehave when left alone in their hotel room, but their misbehavior is so comprehensive that the closing shot reveals a room of total anarchy. It is wonderful slapstick on a huge scale, with comic timing worthy of the Laural and Hardy and the Marx Brothers.
"The Man From Hollywood" – This has the best script with Tarantino reserving the best stuff for his own character. He even reprises the "tasty beverage" line from "Pulp Fiction. Beals has already found her way to this room by the time bellboy Roth arrives and she delivers more good lines. I was impressed that Tarantino built up his suspense "before" the contest began and then did not try to extend the suspense but ended things on the first attempt.
The best bit in the whole film might be Roth's phone call to his boss. Marisa Tomei answers the phone in a room full of comatose post-New Years Eve partygoers. She then does a version of her "My Cousin Vinnie" expert witness routine, this time concerning types of handguns. In the foreground the entire time are the only other conscious (but totally stoned) inhabitants of the room. They are playing against each other in a video game. One just stares in stunned fascination at the screen, holding the controller but not using it as the other player maniacally manipulates his controller throughout the entire phone conversation.
"The Missing Ingredient" - Madona has simply never looked better and her "come get me" dress will burn your eyeballs. Alicia Witt plays her stock alienated teen and delivers sarcasm as only she can.
"The Wrong Man" – Alexander Rockwell directed this segment shortly after directing "In the Soup" so he already knew how to get the most out of Jennifer Beals. Her diatribe about Ted's sex organ is a cinema classic.
"The Misbehavers" – Rodriquez directs his favorite actor Antonio Banderas in something that is a throwback to classic Laurel and Hardy. Not only do his two kids misbehave when left alone in their hotel room, but their misbehavior is so comprehensive that the closing shot reveals a room of total anarchy. It is wonderful slapstick on a huge scale, with comic timing worthy of the Laural and Hardy and the Marx Brothers.
"The Man From Hollywood" – This has the best script with Tarantino reserving the best stuff for his own character. He even reprises the "tasty beverage" line from "Pulp Fiction. Beals has already found her way to this room by the time bellboy Roth arrives and she delivers more good lines. I was impressed that Tarantino built up his suspense "before" the contest began and then did not try to extend the suspense but ended things on the first attempt.
The best bit in the whole film might be Roth's phone call to his boss. Marisa Tomei answers the phone in a room full of comatose post-New Years Eve partygoers. She then does a version of her "My Cousin Vinnie" expert witness routine, this time concerning types of handguns. In the foreground the entire time are the only other conscious (but totally stoned) inhabitants of the room. They are playing against each other in a video game. One just stares in stunned fascination at the screen, holding the controller but not using it as the other player maniacally manipulates his controller throughout the entire phone conversation.
- aimless-46
- 17 mag 2005
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- Four Rooms and a Hotel
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- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.257.354 USD
- Fine settimana di apertura Stati Uniti e Canada
- 427.733 USD
- 25 dic 1995
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- 4.257.354 USD
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