Foxtrot - La danza del destino

As others have pointed out, this is a 3-act film. Act 1 provides a chilling view of the military precision of the Israeli military's process for informing a family of a tragedy. Act 2 provides a view of Foxtrot outpost, a checkpoint guarding some deserted road. There is the general boredom, combined with occasions of high anxiety, where any car to be checked could have suicide bombers. In Act 3, the family's unsuccessful attempt to see their son's body leads to more drama, with an ending that I consider too neat - hence my low score on the movie.

I am not sure why, but there's just something about this movie that brings warmth to my heart. I can't say that there's something inherently unique about its message, but the way that it communicated it really resonated with me. There is no evil in this film that causes pain to characters but rather just unfortunate events. And it's not someone's fault too. I think that this is a movie about the unnecessary suffering that we all have to live through. This message is often delivered with unnecessary pretentiousness and I was happy to feel none in this film.

There were a couple of lines that felt unnecessary, but it is because the whole movie is quite subtle and communicates a lot without words so these lines felt out of place.

The cinematography is also great, although it is not something I often draw attention to. Oh, and the acting is absolutely stellar, especially one of the father, I couldn't take my eyes off his performance.

I am upset that nobody I know saw this movie but I sure will recommend it to as many people as possible from now on so it gets credit it deserves.

The methaphorical depiction of the futile repetition of war suggested by the 'Foxtrot' title deserved a better examination than this poorly acted, tedious & ultimately unconvincing movie. Even the several Foxtrot dance scenes themselves were stilted & out of place - ditto the videos of murmations of starling flocks clumsily inserted into the cinematography. In theory the plot contained a powerful narrative of the harrowing wartime experiences of the father being repeated by his conscript son but this was lost in the overly tedious & sometimes completely pointless plot - as in the scenes involving a soft-adult magazine also handed down from father to son - which just reduced the movie's important themes to comic book farce. Things improved significantly in the third act of the movie only to be deflated again by the weak final scene (..no spoilers..) It could have been so much better.

This highly acclaimed drama from Israel is a thoughtful and deep reflection on how we perceive of the scars that grief and guilt can leave on us. The film follows a patriarch and his wife who are told at the beginning of the film by Israeli army officers that their son was killed in the line of duty. These two parents begin to embark on a seemingly hellish grieving process...for the first 30 minutes. I won't give away what happens next, but the film ends up taking a variety of unique twists and turns through three distinct parts similar to that of a triptych-style narrative. It's not quite what you think it is, that's for sure.

The acting in the film is consistently excellent, particularly the performance of the father. He manages to engage the audience in his seething feelings of sadness and an almost-primal sensation of rage, while still feeling uniquely down-to-earth and relatable. This is an almost impossible trick to pull off. Samuel Maoz clearly knows how to write thoughtful analysis of the society and people of Israel, with a clockwork level of precision--and props to him for that. The pacing in the film's three acts, however, could have been improved and can feel somewhat erratic in the movie's second half. Additionally, the finale of the movie is done in a somewhat peculiar manner that falls a bit short of what would most satisfy the viewer in terms of wrapping up the story. Still, I definitely recommend "Foxtrot" to those interested and thought this was quite a well-made film at the end of the day. 7.5/10

'Foxtrot' starts with officers telling Michael and Daphna Feldman their son Jonathan has been killed in the line of fire.

The film then spends quite a bit of time showing us how they battle to come to terms with the loss of their son. For a while, the film stagnates on their emotions, with some scenes lingering. The lack of musical score makes it all the more realistic and the actors does such a great job that we believe they actually lost a loved one.

Funeral arrangements are being made whilst the film still focuses heavily on Michael's emotions. If you're tempted to stop watching after this slow start, don't! In an instant, the film changes direction with an unexpected reveal. How do I even talk about 'Foxtrot' without doing spoilers? I want you to be just as surprised as I was and revealing what happens next will ruin the surprise.

But the film is not done with shock reveals. Just when you think everything is on track, 'Foxtrot' suddenly resorts to non-linear storytelling - another element I never saw coming that changes everything!

'Foxtrot' features fantastic performances, great cinematography, and a few moments that reminded me of a Wes Anderson film. A Few moments even had me laughing out loud! This is a very unusual film. It has a very simple premise, but it is so well executed. Oh, but that ending...