बड़ी स्क्रीन के सुपरस्टार टॉम क्रूज़ और कैमरून डायज इस विस्तारित संस्करण में एक्शन और हास्य के टकराव के रूप में चमकेंगे।बड़ी स्क्रीन के सुपरस्टार टॉम क्रूज़ और कैमरून डायज इस विस्तारित संस्करण में एक्शन और हास्य के टकराव के रूप में चमकेंगे।बड़ी स्क्रीन के सुपरस्टार टॉम क्रूज़ और कैमरून डायज इस विस्तारित संस्करण में एक्शन और हास्य के टकराव के रूप में चमकेंगे।
- पुरस्कार
- 3 कुल नामांकन
Jack O'Connell
- Wilmer
- (as Jack A. O'Connell)
कहानी
क्या आपको पता है
- ट्रिवियाTom Cruise and Cameron Diaz did a majority of the stunts on their own. Cruise and Diaz are avid drivers, and have experience doing sharp turns and 180s.
- गूफ़When June is taken to Antonio's home in Seville, Spain, the city is celebrating the festival of San Fermin. Part of that is the famous running of the bulls, which happens in Pamplona, not Seville. Pamplona is in northern Spain; Seville is in southern Spain.
- भाव
Roy Miller: Nobody follow us or I kill myself and then her!
- क्रेज़ी क्रेडिटThe film's title appears at the very end of the closing credits.
- इसके अलावा अन्य वर्जनAn 'Extended Cut' is available in Region 2 (UK and Europe), Region 3 (Asia) and Region 4 (Australia & NZ). It adds eight minutes of footage, mostly extended versions of existing scenes, as well as a new opening scene that better establishes June Haven's profession as a mechanic. The 'Extended Cut' was released on Video On Demand in North America, but as of January 2011, it has yet to receive a Region 1 release. (See the FAQ page for more details.)
- कनेक्शनEdited into RTL Boulevard: एपिसोड #11.70 (2010)
- साउंडट्रैकLouie Louie
Written by Richard Berry
Performed by The Kingsmen
Courtesy of Kingsmen International Licensing, Inc.
फीचर्ड रिव्यू
Although far inferior in both concept and results, "Knight and Day" has its roots in the classic screwball comedies of the 1930's. Cute, seemingly coincidental airport encounters connect an attractive blonde, Cameron Diaz, who is en route to her sister's wedding, with a handsome man of mystery, Tom Cruise, and a series of wildly improbable events ensues. An early scene aboard a near-empty airliner is perhaps the film's highlight, as Cruise does battle with unknown assailants, while a blissfully unaware Diaz primps in the restroom, intent on seducing Cruise. Perhaps if the humor and pace of this scene had been sustained, the film would have been more successful. If Cary Grant were the dashing stranger and Katharine Hepburn the unwitting accomplice, the film would have been classic.
However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.
Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.
However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.
Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $11,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,64,23,035
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,01,39,985
- 27 जून 2010
- दुनिया भर में सकल
- $26,19,89,769
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें