अपार्टमेंट

मूल शीर्षक: The Apartment

1960
U
2 घं 5 मि

IMDb रेटिंग

8.3/10

2.1 लाख

आपकी रेटिंग

लोकप्रियता

2,215

420

Jack Lemmon and Shirley MacLaine in अपार्टमेंट (1960)

A Manhattan insurance clerk tries to rise in his company by letting its executives use his apartment for trysts, but complications and a romance of his own ensue.

trailer प्ले करें2:20

3 वीडियो

99+ फ़ोटो

Farce Holiday Comedy Holiday Romance Romantic Comedy Comedy Drama Holiday Romance

एक मैनहट्टन बीमा क्लर्क अपने अधिकारियों को कोशिशों के लिए अपने अपार्टमेंट का उपयोग करने देकर अपनी कंपनी में वृद्धि करने की कोशिश करता है, लेकिन जटिलताओं और अपने स्वयं के रोमांस का सामना करना... सभी पढ़ेंएक मैनहट्टन बीमा क्लर्क अपने अधिकारियों को कोशिशों के लिए अपने अपार्टमेंट का उपयोग करने देकर अपनी कंपनी में वृद्धि करने की कोशिश करता है, लेकिन जटिलताओं और अपने स्वयं के रोमांस का सामना करना पड़ता है.एक मैनहट्टन बीमा क्लर्क अपने अधिकारियों को कोशिशों के लिए अपने अपार्टमेंट का उपयोग करने देकर अपनी कंपनी में वृद्धि करने की कोशिश करता है, लेकिन जटिलताओं और अपने स्वयं के रोमांस का सामना करना पड़ता है.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

8.3/10

2.1 लाख

आपकी रेटिंग

लोकप्रियता

2,215

420

IMDbPro पर प्रोडक्शन की जानकारी देखें

टॉप रेटेड मूवी #99

5 ऑस्कर जीते
- 25 जीत और कुल 8 नामांकन

Office Worker
(बिना क्रेडिट के)

Bill Baldwin

TV Movie Host
(बिना क्रेडिट के)

Paul Bradley

Office Worker
(बिना क्रेडिट के)

Benny Burt

Charlie - Bartender
(बिना क्रेडिट के)

निर्देशक
- Billy Wilder
लेखक
- Billy Wilder
- I.A.L. Diamond
सभी कास्ट और क्रू
IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

Oscars Best Picture Winners, Ranked

See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.

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लिस्ट

इस तरह के और

8.2

Some Like It Hot

8.4

Witness for the Prosecution

8.4

8.3

8.3

8.5

7.3

7.6

8.4

8.3

8.2

8.3

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
To create the effect of a vast sea of faces laboring grimly and impersonally at their desks in the huge insurance company office, designers Alexandre Trauner and Edward G. Boyle devised an interesting technique. Full-sized actors sat at the desks in the front and children dressed in suits were used at tiny desks toward the rear, followed by even smaller desks with cut-out figures operated by wires. It gave the effect of a much larger space than could have been achieved in the limited studio space.

गूफ़
The layout of Baxter's apartment makes no sense, especially in relation to Dr. Dreyfus's apartment. Dreyfus lives next to Baxter, which means their walls should be adjoining the full length of both flats. However, from inside Baxter's living room, one can see windows in both his kitchen and bedroom facing directly where the Dreyfus apartment should be (and there would likely be a window in the bathroom between the kitchen and bedroom). Dreyfus's apartment would have to veer immediately off to the extreme right when one enters it and be no more than a couple of inches wide in order to allow the kind of set-up seen in Baxter's apartment. This is clearly unrealistic, if not downright impossible.

भाव
[last lines]
C.C. Baxter: You hear what I said, Miss Kubelik? I absolutely adore you.
Fran Kubelik: Shut up and deal...

इसके अलावा अन्य वर्जन
The 1997 VHS contained the short version of United Artists' 1987 variant.

कनेक्शन
Featured in Aquarius: Shirley Maclaine/East 100th St./Police 5/Brighton Breezy (1971)

साउंडट्रैक
Adeste Fideles (O Come All Ye Faithful)
(1782) (uncredited)
Music by John Francis Wade
English lyrics by Frederick Oakeley (1852)

उपयोगकर्ता समीक्षाएं461

फीचर्ड रिव्यू

10/10

Likewise, it's a love-fest Lemmon-wise

One of the finest examples of smart, satiric comedy-drama ever created for the screen. Jack Lemmon (in amazing comic form) plays a working stiff in Corporate America--via New York City--whose bachelor apartment inadvertently becomes a love-nest for amorous, married executives. The film is extremely modern for 1960 and features a non-stop barrage of funny, clever talk. Lemmon is a mad genius at frenzied (yet sympathetic) characterization, and "The Apartment" catches him at his professional peak in the movies. Working alongside huggable neurotic Shirley MacLaine (also at her peak) and shady Fred MacMurray (parlaying his slimeball role with curt persuasion), Lemmon creates a new kind of acting: screwball realism. **** from ****