एक पटकथा लेखक एक फीका फिल्म स्टार के साथ एक खतरनाक संबंध विकसित करता है जो विजयी वापसी करने के लिए दृढ़ संकल्पित है।एक पटकथा लेखक एक फीका फिल्म स्टार के साथ एक खतरनाक संबंध विकसित करता है जो विजयी वापसी करने के लिए दृढ़ संकल्पित है।एक पटकथा लेखक एक फीका फिल्म स्टार के साथ एक खतरनाक संबंध विकसित करता है जो विजयी वापसी करने के लिए दृढ़ संकल्पित है।
- 3 ऑस्कर जीते
- 19 जीत और कुल 20 नामांकन
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाUnlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
- गूफ़When Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
- भाव
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- क्रेज़ी क्रेडिटThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- कनेक्शनEdited into Les Amoureux du cinéma (1987)
- साउंडट्रैकThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
फीचर्ड रिव्यू
This is such a great film on so many levels I can't really settle on where to begin. It is so beautifully shot (in that stark black/white that only nitrate negative could achieve), has a witty, clever and extremely well-written script, features some of the best acting in film's history, acrobatically balances the main plot/subplots with expert precision, contains some of the best characters on celluloid, has many true-to-life parallels (Swanson's career/real life cameos/DeMille's involvement/etc) and is peppered with such great dialogue/narration that today's film writers should take note. If that weren't enough, there's even a cameo by silent film great Buster Keaton (among others).
One of the most appealing aspects of this film is how, in the story, an aging, forgotten star is trying to recapture a bygone era (the silent film era). What's interesting is that now, so many years later, we're looking back at her looking back. To present day viewers, Gloria Swanson of the 1950's is a long forgotten lost gem and to experience her own longing for the 1920's is especially captivating (and a little chilling, I might add). I don't think this film could have had that same effect when it debuted and maybe this added dimension holds so much more appeal for today's audiences. We all know that nothing lasts forever, but we don't often consider the abandoned participants; much like the veterans of a past war.
In response to the famous Swanson line (while watching one of her silent films): "...we didn't need dialogue; we had faces", I'd like to also add that they "didn't need movies; they had films."
They truly don't make them like this anymore. 10/10
One of the most appealing aspects of this film is how, in the story, an aging, forgotten star is trying to recapture a bygone era (the silent film era). What's interesting is that now, so many years later, we're looking back at her looking back. To present day viewers, Gloria Swanson of the 1950's is a long forgotten lost gem and to experience her own longing for the 1920's is especially captivating (and a little chilling, I might add). I don't think this film could have had that same effect when it debuted and maybe this added dimension holds so much more appeal for today's audiences. We all know that nothing lasts forever, but we don't often consider the abandoned participants; much like the veterans of a past war.
In response to the famous Swanson line (while watching one of her silent films): "...we didn't need dialogue; we had faces", I'd like to also add that they "didn't need movies; they had films."
They truly don't make them like this anymore. 10/10
- belikemichaeldotcom
- 1 जुल॰ 2004
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Sunset Blvd.
- फ़िल्माने की जगहें
- 10060 Sunset Blvd, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Norma Desmond's driveway gate)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $17,52,000(अनुमानित)
- US और कनाडा में सकल
- $2,99,645
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,69,067
- 13 मई 2018
- दुनिया भर में सकल
- $3,09,467
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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