The Big Clock

1948
Approved
1 घं 35 मि

IMDb रेटिंग

7.6/10

10 हज़ार

आपकी रेटिंग

Charles Laughton and Ray Milland in The Big Clock (1948)

A magazine tycoon commits a murder and pins it on an innocent man, who then tries to solve the murder himself.

trailer प्ले करें2:14

1 वीडियो

93 फ़ोटो

Film Noir Police Procedural Psychological Thriller Whodunnit Crime Drama Mystery Thriller

अपनी भाषा में प्लॉट जोड़ेंA magazine tycoon commits a murder and pins it on an innocent man, who then tries to solve the murder himself.A magazine tycoon commits a murder and pins it on an innocent man, who then tries to solve the murder himself.A magazine tycoon commits a murder and pins it on an innocent man, who then tries to solve the murder himself.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

7.6/10

10 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

पुरस्कार
- 3 जीत और कुल 2 नामांकन

ट्रिविया
The novel on which this film is based was written by poet Kenneth Fearing, as revenge on publisher Henry Luce and his "Time" magazine. Fearing was obliged to work there (for financial reasons) for many years. The fearsome Earl Janoth is often regarded as a libelous parody of Luce, even though the book received a rave review from the "Time" critic, as did the film.

गूफ़
When the Big Clock is first shown and the camera pans down to the lobby floor with the tour guide, it shows that there is a ledge directly underneath the clock which would make the display of its time impossible to see from the lobby.

भाव
Earl Janoth: [talking on intercom to Steve Hagen] On the fourth floor - in the broom closet - a bulb has been burning for several days. Find the man responsible, dock his pay.

कनेक्शन
Edited into The Clock (2010)

साउंडट्रैक
I'm in the Mood for Love
(uncredited)
Music by Jimmy McHugh
source music heard when Pauline first meets George at the bar

उपयोगकर्ता समीक्षाएं109

फीचर्ड रिव्यू

8/10

Mia's Parents Deliver

An interesting film noir. Milland is good as a Hitchcockian hero who finds himself framed for a murder. Laughton seems to be sleepwalking through his role as the actual murderer. Johnson, an attractive actress who had her career cut short by an accident and had a short and tragic life, plays the murder victim. Farrow (Mia's dad) is no Hitchcock but he directs efficiently and the cast includes O'Sullivan (Mia's mom) as Milland's nagging wife and Morgan as a menacing henchman. Lanchester (Laughton's real life wife) is hilarious as an eccentric artist. After a slow start, the pace picks up and suspense builds, not letting up until the credits roll.