IMDb रेटिंग
7.1/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn Edwardian belle meets a rich bachelor, but what to do about her husband and her lover?An Edwardian belle meets a rich bachelor, but what to do about her husband and her lover?An Edwardian belle meets a rich bachelor, but what to do about her husband and her lover?
- पुरस्कार
- 1 नामांकन
Cedric Hardwicke
- Police Inspector Orpington
- (as Sir Cedric Hardwicke)
Lois Austin
- English Lady
- (बिना क्रेडिट के)
Lydia Bilbrook
- Mary Hampton
- (बिना क्रेडिट के)
Matthew Boulton
- Tom Lumford
- (बिना क्रेडिट के)
Ralph Brooks
- Court Clerk
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाOne of two films in which actress Lilian Fontaine appears in support of her daughter Joan Fontaine. (The other was the 1953 release "The Bigamist").
- भाव
Jervis Lexton: [as Ivy is poisoning him] All this stupid expense of doctors and nonsense, you must hate me for it.
Ivy Lexton: No, I don't hate you. I sometimes wish I weren't so fond of you.
- कनेक्शनVersion of Lux Video Theatre: Ivy (1956)
फीचर्ड रिव्यू
Ivy is directed by Sam Wood and adapted to screenplay by Charles Bennett from the novel The Story of Ivy written by Marie Belloc Lowndes. It stars Joan Fontaine, Patric Knowles, Herbert Marshall, Richard Ney, Cedric Hardwicke and Lucile Watson. Music is by Daniele Amfitheatrof and cinematography by Russell Metty.
Ivy Lexton (Fontaine) has a hunger to be wealthy, and setting her sights on well-to-do Miles Rushworth ( Marshall), Ivy plots a fiendish plan that spells trouble for her husband Jervis (Ney) and her lover Roger (Knowles).
Well worth discovering, Ivy showcases the dark side of Fontaine's acting prowess for great entertainment rewards. The beautiful Madame Fontaine actually disowned the movie, and this after she stepped in to the role of Ivy Lexton after her sister Olivia de Havilland turned it down. Her lack of affection for the picture goes some way to explaining why it has remained largely forgotten, which is a shame because it's a high end gaslight noir propelled by a femme fatale of some considerable substance.
The budget was high, and it shows, in the cast list, the costuming and the stunning turn of the century production design by William Cameron Menzies. Metty's low-key photography cloaks the Edwardian settings with atmospheric snugness, while Amfitheatrof underscores the drama with music that is appropriately tinged with chills. Thematically the piece is focusing on obsessions, by way of man's ignorant lust and woman's pursuit of wealth above all else. All characters are defined not by fate here, but by their actions, making for a hornet's nest of murder and adultery.
1947 was a stellar year for film noir, with big hitting movies like Out of the Past, Nightmare Alley, Kiss of Death, Odd Man Out and Brighton Rock further cementing the growing popularity of noir as a style of film making. As is often the case with the great noir years from the classic cycle, there's still little gems hidden away waiting to be brought out into the open, Ivy is one such film. Fontaine and the sumptuous noir visual style ensure this to be the case. 8/10
Ivy Lexton (Fontaine) has a hunger to be wealthy, and setting her sights on well-to-do Miles Rushworth ( Marshall), Ivy plots a fiendish plan that spells trouble for her husband Jervis (Ney) and her lover Roger (Knowles).
Well worth discovering, Ivy showcases the dark side of Fontaine's acting prowess for great entertainment rewards. The beautiful Madame Fontaine actually disowned the movie, and this after she stepped in to the role of Ivy Lexton after her sister Olivia de Havilland turned it down. Her lack of affection for the picture goes some way to explaining why it has remained largely forgotten, which is a shame because it's a high end gaslight noir propelled by a femme fatale of some considerable substance.
The budget was high, and it shows, in the cast list, the costuming and the stunning turn of the century production design by William Cameron Menzies. Metty's low-key photography cloaks the Edwardian settings with atmospheric snugness, while Amfitheatrof underscores the drama with music that is appropriately tinged with chills. Thematically the piece is focusing on obsessions, by way of man's ignorant lust and woman's pursuit of wealth above all else. All characters are defined not by fate here, but by their actions, making for a hornet's nest of murder and adultery.
1947 was a stellar year for film noir, with big hitting movies like Out of the Past, Nightmare Alley, Kiss of Death, Odd Man Out and Brighton Rock further cementing the growing popularity of noir as a style of film making. As is often the case with the great noir years from the classic cycle, there's still little gems hidden away waiting to be brought out into the open, Ivy is one such film. Fontaine and the sumptuous noir visual style ensure this to be the case. 8/10
- hitchcockthelegend
- 17 दिस॰ 2013
- परमालिंक
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