Munich
Inspiré de la véritable histoire des évènements qui ont suivi la prise d'otages de Munich et des cinq hommes choisis pour assassiner les responsables de ce jour fatidique.Inspiré de la véritable histoire des évènements qui ont suivi la prise d'otages de Munich et des cinq hommes choisis pour assassiner les responsables de ce jour fatidique.Inspiré de la véritable histoire des évènements qui ont suivi la prise d'otages de Munich et des cinq hommes choisis pour assassiner les responsables de ce jour fatidique.
- Nommé pour 5 Oscars
- 14 victoires et 75 nominations au total
Marie-Josée Croze
- Jeanette the Dutch Assassin
- (as Marie-Josee Croze)
Valeria Bruni Tedeschi
- Sylvie
- (as Valéria Bruni Tedeschi)
Amos Lavi
- General Yariv
- (as Amos Lavie)
Histoire
Le saviez-vous
- AnecdotesGuri Weinberg played his own father. He is the son of Moshe Weinberg, the Israeli wrestling referee and former champion, who died in the massacre when Guri was just one month old.
- GaffesThough they took the time to digitally add the World Trade Center to the final shot, they didn't edit out the Citigroup Center, Trump World Tower, and the Bloomberg building, which were built after the time of the movie.
- Versions alternativesThe film was heavily censored in Malaysia for a 'U' rating. The uncut version is rated '18PL'.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2005 (2005)
- Bandes originalesAin't No Sunshine
Written & Performed by Bill Withers
Courtesy of Columbia Reecords
By Arrangement with Sony BMG Music Entertainment
Commentaire à la une
'Munich' is, on the whole, a straight forward hit-man movie. The assignments are handed out; the team is assembled, each with their own specialty; and they travel about Europe plotting and carrying out their hits. We have the inevitable paranoia, the double agents and suspicious loyalties. So far, so familiar. Only 'Munich' is wrapped in the thin veneer of 'history' and 'fact', and mob bosses and corporate espionage is replaced with Middle Eastern politics and Israeli-Arab relations. I mention this because the politics of 'Munich' are really nothing more than a topical plot devise, used the same way as cold-war relations and soviet villainy was used thirty years ago.
What prevents 'Munich' becoming just a generic updated-cold-war thriller, is the sheer quality of the production. From the flawless recreation of European capitals in the early seventies to the impeccable costume design to the beautiful cinematography 'Munich' is a visually fascinating movie. The performances are universally outstanding, with Bana in particular bringing a sense of tough nobility that seems to be his forte. The script is intelligent and thought-provoking, and it is Kushner's focus on the emotional and psychological landscape of his characters rather than the details of political contract killing, that ultimately lifts the movie above the generic. The kind of self-consciously poetic prose for which he is known, so often seeming unrealistically erudite, is kept to a minimum, and when it does appear, is so beautifully written and performed that all reservations are forgotten.
Ultimately, the greatest praise must be reserved for Spielberg, who has, with 'Munich', created perhaps the first truly adult movie of his career. We see no signs of his trademark sentimentality, his descents into fantasy, his childish simplification of motivation. With 'Munich', he embraces ambiguity and complexity, and as a result, has invited criticism from those who prefer their drama simplistically black and white. Above all, one can't help but wonder what the Spielberg oeuvre would look had he not dedicated his career to kid's movies, fantasies and feel-good sci-fi.
'Munich' is an intelligent and gripping thriller that is a major contender for award recognition, and deservedly so. An outstanding achievement.
What prevents 'Munich' becoming just a generic updated-cold-war thriller, is the sheer quality of the production. From the flawless recreation of European capitals in the early seventies to the impeccable costume design to the beautiful cinematography 'Munich' is a visually fascinating movie. The performances are universally outstanding, with Bana in particular bringing a sense of tough nobility that seems to be his forte. The script is intelligent and thought-provoking, and it is Kushner's focus on the emotional and psychological landscape of his characters rather than the details of political contract killing, that ultimately lifts the movie above the generic. The kind of self-consciously poetic prose for which he is known, so often seeming unrealistically erudite, is kept to a minimum, and when it does appear, is so beautifully written and performed that all reservations are forgotten.
Ultimately, the greatest praise must be reserved for Spielberg, who has, with 'Munich', created perhaps the first truly adult movie of his career. We see no signs of his trademark sentimentality, his descents into fantasy, his childish simplification of motivation. With 'Munich', he embraces ambiguity and complexity, and as a result, has invited criticism from those who prefer their drama simplistically black and white. Above all, one can't help but wonder what the Spielberg oeuvre would look had he not dedicated his career to kid's movies, fantasies and feel-good sci-fi.
'Munich' is an intelligent and gripping thriller that is a major contender for award recognition, and deservedly so. An outstanding achievement.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Untitled 1972 Munich Olympics Project
- Lieux de tournage
- Bugibba, Malte(Olympic Hotel in Cyprus)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 403 685 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 152 260 $US
- 25 déc. 2005
- Montant brut mondial
- 130 982 407 $US
- Durée2 heures 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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