King Kong
À New York en 1933, un producteur de cinéma trop ambitieux oblige ses acteurs et son équipe à se rendre sur la mystérieuse île de Skull Island, un gorille géant immédiatement séduit par Ann ... Tout lireÀ New York en 1933, un producteur de cinéma trop ambitieux oblige ses acteurs et son équipe à se rendre sur la mystérieuse île de Skull Island, un gorille géant immédiatement séduit par Ann Darrow.À New York en 1933, un producteur de cinéma trop ambitieux oblige ses acteurs et son équipe à se rendre sur la mystérieuse île de Skull Island, un gorille géant immédiatement séduit par Ann Darrow.
- Récompensé par 3 Oscars
- 46 victoires et 104 nominations au total
David Dennis
- Taps
- (as David Denis)
Histoire
Le saviez-vous
- AnecdotesIt took 18 months to craft the CGI version of the Empire State Building. The real thing was built in 14 months.
- GaffesThe way Kong shakes and throws Ann around while carrying her would almost certainly snap her neck or spine.
- Citations
[last lines]
Carl Denham: It wasn't the airplanes. It was beauty killed the beast.
- Crédits fousThe end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong".
- Versions alternativesOn November 14, 2006, an extended edition DVD was released with 13 minutes of additional scenes edited back into the film. Denham's party is attacked both by a Ceratops immediately upon entering the jungle to rescue Ann and by a giant fish while on rafts on a river, after which they kill a giant bird while firing blindly into the jungle (the longest addition by far). Baxter's rescue of the party is extended and finishes with Jimmy's farewell to Hayes. Kong's pursuit of the party on Skull Island and his pursuit of Driscoll in NYC are slightly extended, and there are two brief additional encounters between Kong and the military in NYC. A complete breakdown is at http://www.movie-censorship.com/report.php?ID=3550.
- ConnexionsEdited into It's All Gone King Kong (2005)
- Bandes originalesI'm Sitting on Top of the World
Written by Ray Henderson, Joe Young, Sam Lewis (as Sam M. Lewis)
Performed by Al Jolson
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Commentaire à la une
Maybe I'm blinded by nostalgia but I adore this movie.
It's one of the few movies for me that is truly and action movie and not just a movie with some gun fire and general badassdom. The action sequences are captivating, electrifying and operatic in their scale and execution.
On top of this, the sense of adventure as we travel from a vivid (and probably fake) evocation of 1930s New York to the eerie island forgotten by time is realized with an artisanal attention to detail and an artist's spark and passion (though of course all movies are art).
A lot of people felt it took a while to get going. But I like local color and characters that make this feel all the more vivid. They do it with verve when so many other monster movies spend too much time on humans when they only know how to write the monsters.
The love story angle part might have been a tad much but I like Ann, I like Jack, I love to look down my nose at Carl and Hayes and the boy are a sweet addition too.
You will fear and in time come to love this endling ape who reigns as king of the forgotten world but but rules it alone. When Naomi Watts described it as a love story I dare say it might have been the most inciteful thing an actor has ever said about one of their movies that they didn't write in an interview. It's no an erotic love but in the bleak world of giant sabre toothed leach eat giant sabre toothed leach, sometimes moments of tenderness between the most unlikely pairs becomes possible.
And then we get back to New York and words do not do it justice. They kind of slapped a Christmas/Winter aesthetic in the final act because this movie released in December and I am so happy to go along with it, maybe because of that score.
Overall, one of the few remakes of a good movie that is justified since it managed to recreate for modern audiences what the original would have been at its time.
It's one of the few movies for me that is truly and action movie and not just a movie with some gun fire and general badassdom. The action sequences are captivating, electrifying and operatic in their scale and execution.
On top of this, the sense of adventure as we travel from a vivid (and probably fake) evocation of 1930s New York to the eerie island forgotten by time is realized with an artisanal attention to detail and an artist's spark and passion (though of course all movies are art).
A lot of people felt it took a while to get going. But I like local color and characters that make this feel all the more vivid. They do it with verve when so many other monster movies spend too much time on humans when they only know how to write the monsters.
The love story angle part might have been a tad much but I like Ann, I like Jack, I love to look down my nose at Carl and Hayes and the boy are a sweet addition too.
You will fear and in time come to love this endling ape who reigns as king of the forgotten world but but rules it alone. When Naomi Watts described it as a love story I dare say it might have been the most inciteful thing an actor has ever said about one of their movies that they didn't write in an interview. It's no an erotic love but in the bleak world of giant sabre toothed leach eat giant sabre toothed leach, sometimes moments of tenderness between the most unlikely pairs becomes possible.
And then we get back to New York and words do not do it justice. They kind of slapped a Christmas/Winter aesthetic in the final act because this movie released in December and I am so happy to go along with it, maybe because of that score.
Overall, one of the few remakes of a good movie that is justified since it managed to recreate for modern audiences what the original would have been at its time.
- GiraffeDoor
- 30 janv. 2022
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Peter Jackson's King Kong
- Lieux de tournage
- Shelly Bay, Wellington, Nouvelle-Zélande(Skull Island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 207 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 218 080 025 $US
- Week-end de sortie aux États-Unis et au Canada
- 50 130 145 $US
- 18 déc. 2005
- Montant brut mondial
- 556 906 378 $US
- Durée3 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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