Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une t... Tout lireMarie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.
- Récompenses
- 6 victoires et 9 nominations
Histoire
Le saviez-vous
- AnecdotesThe camera used during the car-attack scene got so much fake blood on it during shooting that when it was being used on another film later on fake blood oozed from it during the focusing of a shot.
- GaffesThe killer takes the ax out of the gas station clerk, so he had to have flipped him over to do so. So it makes sense why the clerk is on his back in a later scene.
- Versions alternativesLions Gate was originally going to release the film uncut with an NC-17 rating theatrically but theaters were not too happy with the idea so Lion Gate cut about 2 minutes for the US theatrical release to secure a "R" rating. The changes were:
- Alex's father is graphically decapitated with a bookcase, his headless neck spraying blood. In the R-rated version, the initial killing is implicit rather than explicit, and later, during a flashback, his killing is gone.
- The scene of the killer applying a concrete saw to the stomach of the man driving the car was edited shorter
- When Alex's mother has her throat slashed, the scene is edited short; most of the arterial spurting, as the killer pulls back her head, is gone. The shot of her severed hand also is removed, leaving no indication of what exactly happened to her.
- The scene where Marie strikes the killer's face in with the barbed wire post is shortened and less explicit; Marie hits the killer fewer times, and there are fewer details of the killer's wounds shown.
- Bandes originalesA2
extrait from Célébration
(François-Eudes Chanfrault)
Recorded, Performed and Mixed by François-Eudes Chanfrault
(P) 2002 MK2 Music
Editions: 2002 Ciné Nada Music
Commentaire à la une
For the first sixty minutes or so, Haute Tension is an uncompromising, brutal, nerve-shredding, edge-of-the-seat thriller—not surprising since virtually every one of those minutes is a blatant steal from Dean Koontz's brilliant, brutal, nerve-shredding, edge of the seat novel Intensity. Unfortunately, after the hour mark, director Alexandre Aja gradually steers his narrative away from Koontz's novel, presumably in a futile effort to disguise his plagiarism, and the film slowly falls apart, culminating in a ridiculous twist ending that makes a mockery of all that we have seen thus far.
For fans of Intensity, it's a particularly frustrating experience: not just because the Koontz receives absolutely no credit for his work, but also because Aja's handling of the author's material is so good. If only Aja had adapted the whole of Koontz's book (preferably with the author's approval), we might have had one of the greatest horror movies of all time; instead, we get an hour of absolutely stonking stuff (the opening home invasion, in particular, is flawlessly handled and amazingly gory), which are followed by twenty more minutes of reasonably solid cat-and-mouse action, and then that bloody awful finale.
For all the excellent stuff 'inspired' by Koontz, a rating of 9/10 seems fair; but for stealing the plot without giving the author credit and then having the nerve to tack on a dumb ending, I deduct three of those points, leaving the film a final score from me of 6/10. Worth a watch (especially for gore-hounds), but impossible to wholeheartedly endorse.
For fans of Intensity, it's a particularly frustrating experience: not just because the Koontz receives absolutely no credit for his work, but also because Aja's handling of the author's material is so good. If only Aja had adapted the whole of Koontz's book (preferably with the author's approval), we might have had one of the greatest horror movies of all time; instead, we get an hour of absolutely stonking stuff (the opening home invasion, in particular, is flawlessly handled and amazingly gory), which are followed by twenty more minutes of reasonably solid cat-and-mouse action, and then that bloody awful finale.
For all the excellent stuff 'inspired' by Koontz, a rating of 9/10 seems fair; but for stealing the plot without giving the author credit and then having the nerve to tack on a dumb ending, I deduct three of those points, leaving the film a final score from me of 6/10. Worth a watch (especially for gore-hounds), but impossible to wholeheartedly endorse.
- BA_Harrison
- 4 juin 2010
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Détails
Box-office
- Budget
- 2 200 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 3 681 066 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 897 705 $US
- 12 juin 2005
- Montant brut mondial
- 6 291 958 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- DTS
- Dolby Digital EX(original version)
- Rapport de forme
- 2.35 : 1
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