Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations
Histoire
Le saviez-vous
- AnecdotesThe footage of the aircraft carrier passing underneath the Golden Gate Bridge was subsequently used in the opening title sequence of the first two seasons of NCIS : Enquêtes spéciales (2003), which stars Mark Harmon.
- GaffesWhen Col Caldwell is shooting the guy with the shotgun in the water warehouse, he shoots several times and then a "click" is heard indicating he is out of bullets. When the Colt Model M1911A1 .45 pistol fires the last round in the magazine, the slide locks back (open), so there is no empty click - the .45 Caldwell is holding does not have the slide locked back, so he hadn't fired the last round in the pistol.
- Citations
Lt. Col. Alan Caldwell: What in the hell is "the Dead"?
Jay Austin: You wouldn't understand.
Lt. Col. Alan Caldwell: Try me.
Jay Austin: The Grateful Dead.
Lt. Col. Alan Caldwell: The Grateful Dead?
Jay Austin: Grateful Dead.
Lt. Col. Alan Caldwell: I don't understand.
Jay Austin: [sarcastically] That's a surprise.
- Versions alternativesThe European version and American version each contain different footage:
- In the American version, Donna and Jay kiss longer, about ten seconds longer than the European version.
- In the European version, the sex scene is much longer with Donna moving on top of Ray, about one minute longer than the American version.
- ConnexionsEdited into NCIS : Enquêtes spéciales (2003)
Although it's definitely not a top class thriller, more of a low-key crime drama, the final twist in the tale makes it a decent picture. It's got fantastic setting. Peter Hyams, who apart from directing the film also holds a spot as director of photography, shots exteriors stylishly. The slightly cold colours correspond well with Sean Connery's characterisation as a strict man of principles.
In case of Connery it's always as much about the acting as it is about the looks and he looks really good as an MP officer, mostly wearing regular uniforms, prefferably dark blue. If he hadn't succeeded as 007 he would have definitely made a career as a character actor playing officers.
Mark Harmon takes over as an action man from Connery which is a nice change. The chase scene is quite impressive even by today's standards, well done! On the other hand the fight scene with Connery is also well choreographed.
My only complain would be about Meg Ryan's character. She seems too soft, too childish as for a person rised only by a father, who happens to be a rather tough guy, shy of showing emotions. Somehow her character doesn't convince me at all.
In a nutshell: you'll like the film if you like San Francsico and you'll love it if you like Sean Connery. No more, no less.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Presidio
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 20 324 096 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 119 031 $US
- 12 juin 1988
- Montant brut mondial
- 20 324 096 $US
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 2.39 : 1