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5,9/10
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Un romancier spécialisé dans le mystère et l'horreur, est invité au Club des Monstres, lieu de rendez-vous de vampires, loups-garous, et autres créatures fantastiques. Son hôte, le vampire E... Tout lireUn romancier spécialisé dans le mystère et l'horreur, est invité au Club des Monstres, lieu de rendez-vous de vampires, loups-garous, et autres créatures fantastiques. Son hôte, le vampire Erasmus, lui raconte trois histoires terrifiantes.Un romancier spécialisé dans le mystère et l'horreur, est invité au Club des Monstres, lieu de rendez-vous de vampires, loups-garous, et autres créatures fantastiques. Son hôte, le vampire Erasmus, lui raconte trois histoires terrifiantes.
- Récompenses
- 1 victoire
Histoire
Le saviez-vous
- AnecdotesArtist John Bolton painted the picture of the Shadmock used in the film before the role was even cast. He was genuinely amazed when the film's producers found an actor, James Laurenson, who actually physically resembled the image in the picture.
- GaffesIn the segment of the film "The Humgoo" when Sam first pulls up at the village of Loughville, a crew member in a red checkered shirt and denims is clearly visible for one second in the driver's door rear-view mirror when the car door opens.
- Crédits fousOn the LP album of the soundtrack of the film's listing of the track "Ghouls Galore" the performer, keyboardist Alan Hawkshaw, is credited as "John Hackshaw".
- Versions alternativesIn order to receive an "A" (PG) cinema certificate in the UK, the film was cut by the BBFC with brief editing of the scenes of Angela's liquefied face in the segment "The Shadmock". All later releases of the film were uncut and the certificate was raised to "15".
- ConnexionsFeatured in Movie Macabre: The Monster Club (1983)
- Bandes originalesTheme: Pavane
Composed by Gabriel Fauré
Commentaire à la une
From the moment I started watching, I was enthralled by every set piece, costume and plot detail.
This film, to understate, is rare indeed. A low-budget "horror" movie with a moral, loveable monsters and superb acting. Each of the three stories is well thought-out and entertaining, and the scene in which we learn of monster genealogy is wonderful.
Price is on top form, as usual. He is, with the possible exception of Peter Cushing, the best horror actor of all time. His sincere manner coupled with his traditional English accent make him the most unusual vampire you will ever see.
The first story is slow to start, but soon quickens pace. It features the best acting of the three tales, and the three lead characters have deliciously different personalities. It encompasses a moral, and is touching at times, but still manages to retain at least a little horror. The premise is not very good, but I liked it all the same.
The comedy in this film is plentiful. The second story features horrormeister Donald Pleasence in his catch-the-evil-creature role he played six times in the Halloween series. But the way his character meets his demise and the wonderful plot twist will have you rolling on the floor with laughter.
The third story is not really funny, or scary. It is the most serious of the bunch, and I suspect the filmmakers intended it to be awfully frightening. It just isn't. It show its age, and features poor acting. The set pieces are top-notch, though, and are definitely its saving grace. I can tell you now that the plot twist at the end is totally expected, and not very good.
The stories are interjected with entertaining dialogue between Price and Carradine, and new wave 1980s rock music. Some of you will recognise a youthful UB40 performing a song. There is also one about a stripper, and when you see the stripper's act, you will be suitably impressed. I won't say any more about that - watch it for yourself.
All in all, it was a good way to spend an hour and a half, and I was sad when the stories were over. Just one word of advice, though - don't be put off by the costumes of the monsters.
This film, to understate, is rare indeed. A low-budget "horror" movie with a moral, loveable monsters and superb acting. Each of the three stories is well thought-out and entertaining, and the scene in which we learn of monster genealogy is wonderful.
Price is on top form, as usual. He is, with the possible exception of Peter Cushing, the best horror actor of all time. His sincere manner coupled with his traditional English accent make him the most unusual vampire you will ever see.
The first story is slow to start, but soon quickens pace. It features the best acting of the three tales, and the three lead characters have deliciously different personalities. It encompasses a moral, and is touching at times, but still manages to retain at least a little horror. The premise is not very good, but I liked it all the same.
The comedy in this film is plentiful. The second story features horrormeister Donald Pleasence in his catch-the-evil-creature role he played six times in the Halloween series. But the way his character meets his demise and the wonderful plot twist will have you rolling on the floor with laughter.
The third story is not really funny, or scary. It is the most serious of the bunch, and I suspect the filmmakers intended it to be awfully frightening. It just isn't. It show its age, and features poor acting. The set pieces are top-notch, though, and are definitely its saving grace. I can tell you now that the plot twist at the end is totally expected, and not very good.
The stories are interjected with entertaining dialogue between Price and Carradine, and new wave 1980s rock music. Some of you will recognise a youthful UB40 performing a song. There is also one about a stripper, and when you see the stripper's act, you will be suitably impressed. I won't say any more about that - watch it for yourself.
All in all, it was a good way to spend an hour and a half, and I was sad when the stories were over. Just one word of advice, though - don't be put off by the costumes of the monsters.
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By what name was Le club des monstres (1981) officially released in India in English?
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