Ajouter une intrigue dans votre languePaul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could ... Tout lirePaul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could make his career, he dedicates himself to winning.Paul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could make his career, he dedicates himself to winning.
- Nommé pour 2 Oscars
- 5 nominations au total
- Brudenell
- (as James B. Sikking)
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- AnecdotesIn addition to coaching the film's six "competitors" in piano technique, Jean Evensen Shaw stayed on throughout the production, providing technical advice. Actress Lee Remick recalled that Shaw's help was "invaluable. Remick explained: "She kept us from making awful mistakes for which a real musician would have hooted us off the screen". One such scene was a verbal sparring match between Lee Remick) and Amy Irving over Richard Dreyfuss' intrusion in their well-ordered lives. Both women are sipping wine and as the argument escalates, Remick puts her goblet down on the sounding board of a grand piano and rises to confront her student."No, no." Shaw cried out as if in personal pain: "I don't care how excited you are. You must never put food or drink near such a beautiful instrument. You could damage it forever". The scene was re-staged.
- GaffesGreta, a legendary pianist, mentions the "una corda" pedal, but pronounces it "yoo-na kor-da". This is not the proper way and any musician knows it is "oo-na", not "yoo-na".
- Citations
Greta Vandemann: [Lighting a cigarette] Ludwig Von Beethoven taught Carl Czerny, who taught Leschetizky, who taught Schnabel, who taught Renaldi, who taught me. And now the sixth pianist in a direct line from Beethoven is standing here staring at me in her Jordan Marsh mix-and-match.
Heidi Joan Schoonover: You shouldn't smoke.
- Versions alternativesABC edited 31 minutes from this film for its 1985 network television premiere
- ConnexionsFeatured in Sneak Previews: Eyewitness/Tess/The Competition/The Dogs of War (1981)
- Bandes originalesLove Theme - The Competition (People Alone)
Music by Lalo Schifrin
Lyrics by Will Jennings
Sung by Randy Crawford
Produced & Arranged by Ed Freeman (uncredited)
Courtesy of MCA Records
The Main Cast:
Richard Dreyfuss (Paul Dietrich) Amy Irving (Heidi Joan Schoonover) Lee Remick (Greta Vandemann)
Two concert pianists, played by Richard Dreyfuss and Amy Irving, fall in love at a prestigeous competition they are finalists in, but there is much more to the story than that. The film gives an insight as to what takes place in those competitions during which the participants must be aware of and protect themselves from the "competitive edge" of the other pianists. The acting by the entire cast and the directing is exceptional, but what is more exceptional than that is the fingersynching of the actors while appearing to actually play the piano. The late Lee Remick is outstanding as Amy Irving's teacher. A thoroughly enjoyable film with great acting, script, direction and music. A tip of the hat should go to Jean Evensen Shaw and her assistant Dorothy Hull for tutoring the actors about where, when and how to place their fingers on the keyboard. But, since nothing is ever perfect, I can still imagine James Mason, who wasn't in the movie, rapping the knuckles of a few of the pianists because of poor hand position. Richard Dreyfuss was the worst. Amy Irving was perfect! She had her hands always above the keys and did a stellar job of fingersynching the playing of Sergei Prokofiev's Piano Concerto #3, which is actually played by Daniel Pollack. The 5 minutes and 25 seconds Amy Irving spent at the piano during the performance of that piece was one of the highlights of the film. I can't praise this film too highly. However, the end left something to be desired, although not as much as one would think. But I would be remiss in my praise if I didn't at least give the lion's share of the credit to Joel Oliansky for all the hard work he and his crew put into the making of this film and getting it to the public.
- roger.nelson
- 26 nov. 2001
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Competition
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 287 755 $US
- Week-end de sortie aux États-Unis et au Canada
- 76 163 $US
- 7 déc. 1980
- Montant brut mondial
- 14 287 755 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1