Barabbas
- 1961
- Tous publics
- 2h 17min
Ajouter une intrigue dans votre langueGovernor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by t... Tout lireGovernor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by the image of Jesus for the rest of his life.Governor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by the image of Jesus for the rest of his life.
- Récompenses
- 1 victoire et 3 nominations
- Joseph of Arimathea
- (as Arnoldo Foa')
- Officer
- (as Carlo Giutini)
- Officer
- (as Gianni Di Benedetto)
Histoire
Le saviez-vous
- AnecdotesThe solar eclipse that takes place during the crucifixion scene was the real thing, an event for which director Richard Fleischer delayed shooting in order to capture the ethereal nature of the phenomenon on 2/15/61.
- GaffesWhen Barabbas is sent to the sulfur mines, a guard chains him to another prisoner by hammering closed an iron link shaped like a 'C' with both ends of the 'C' glowing red-hot. The same technique is shown at least one other time. However, it's not the ends of the 'C'-shape that should be glowing red-hot in order to hammer the link closed, it is the middle, where it needs to bend. Cold iron is brittle and needs to be heated to bend or it will fracture.
- Citations
Peter: [Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act] This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.
Barabbas: Who are you to tell me I'm wrong?
Peter: Many years ago, we spoke together. Do you remember?
Barabbas: No.
Peter: You asked me why I was making a net so far from the sea.
Barabbas: Jerusalem. The street of the potters.
Peter: You were as mistaken then as you are again now.
Female Christian: We didn't set fire to the city.
Male Christian: You've done the work of the wild beasts of the emperor.
Female Christian: Are you a lunatic?
Male Christian: It was his fire, you fool. Not God's.
Barabbas: [the realization of his error sinks in] Why can't God make himself plain? What's become of all the fine hopes, the trumpets, the angels, all the promises? Every time I've seen it end up in the same way, with torments and dead bodies, with no good come of it. Huh? All for nothing.
Peter: Do you think they persecute us to destroy nothing? Or, for that matter, do you think that what has battered on your soul for twenty years has been nothing? It wasn't for nothing that Christ died. Mankind isn't nothing. In His eyes, each individual man is the whole world. He loves each man as though there were no other.
Barabbas: I was the opposite of everything he taught, wasn't I? Why did He let Himself be killed instead of me?
Peter: Because being farthest from Him, you were the nearest.
Barabbas: I'm no nearer than I was before.
Peter: Nor any farther away. The truth of the matter is, He's never moved from your side. I can tell you this: there has been a wrestling in your spirit back and forth in your life which, in itself, is knowledge of God. By the conflict you have known Him. I can tell you as well that so it will be with the coming of the kingdom. A wrestling back and forth and a laboring of the world spirit, like a woman in childbirth. We are only the beginning. We won't see the time when the earth is full of the kingdom. And yet, even now, even here, the hour at the end of life, the kingdom is within us. There's nothing more to fear. Upon us, the years will be but many years, many martyrdoms. The ground of men is very stubborn to mature. But men will look back to us in our day, and will wonder, and remember our hope. It is the end of the day. We shall trust ourselves to a little pain, and sleep, saying to world, "Godspeed."
- ConnexionsFeatured in The World According to Smith & Jones: The Romans (1987)
This is a pure work of fiction based around the 1950 Pär Lagerkvist novel of the same name. It has basically taken a passage in the New Testament and extended it to ask what became of the man who was freed instead of Christ? We open of course with the people choosing Barrabas, and the subsequent Crucifixion of Christ that is now scripture legend. This event doesn't at first seem to bother Barrabas, but as the story progresses it becomes clear that he himself has his own cross to bear. We follow him as he witnesses a barbaric stoning of someone close to him, this turns him bitter and a return to a life of crime is his only response. Once again arrested, he is sent to work in the sulphur mines, here he ages fast and hangs on desperately to his life and sanity. He forms a friendship with a fellow inmate and after both men get sent to gladiator school, he finds that the faith surrounding Christ looms large and bright in his life story.
Richard Fleischer directs, producer is Dino De Laurentus, Anthony Quinn takes the role of Barrabas, and Jack Palance and Ernest Borgnine add weight to the acting roll call. There is some very good work to be sampled here, Quinn manages to put a bit of sincerity into the lead role; for as Barrabas' perspective alters, Quinn convinces with a nice show of depth. Palance is decently nasty as Torvald, and although Ernest Borgnine is wasted as Lucius, he does however leave a very decent impression due to a good show of acting restraint. There are some lovely shots here as well, particularly around the sulphur mines sequences, whilst both the sets and costumes are suitably on the money.
Barrabas is a film that is rarely mentioned when talk of biblical epics arises, and the small amount of user comments here suggests it's largely forgotten. That's a shame because it holds up considerably better than the likes of The Robe. 7/10
- hitchcockthelegend
- 7 août 2008
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Barabas
- Lieux de tournage
- Roccastrada, Grosseto, Tuscany, Italie(Crucifixion and solar eclipse)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 6 322 000 $US
- Durée2 heures 17 minutes