Ajouter une intrigue dans votre langueA concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- Récompensé par 1 Oscar
- 1 victoire au total
Eddie Acuff
- Second Bus Driver
- (non crédité)
Maude Allen
- Woman
- (non crédité)
Dorothy Appleby
- Waitress
- (non crédité)
Jane Barnes
- Waitress
- (non crédité)
Georgie Billings
- Boy Hiding From Policeman
- (non crédité)
Gladys Blake
- Tenement Resident
- (non crédité)
Stanley Blystone
- First Bus Driver
- (non crédité)
Wade Boteler
- Policeman at Pier
- (non crédité)
Harry C. Bradley
- Reverend Mr. Morris
- (non crédité)
Helen Brown
- Waitress
- (non crédité)
Sonny Bupp
- Boy Hiding from Policeman
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- ConnexionsRemade as Les amants de Salzbourg (1957)
- Bandes originalesYankee Doodle
Traditional
Played by the busboys at the labor meeting
Commentaire à la une
This is a heart-rending story covered up in a romantic comedy of many wonderful and surprising turnings, and it is impossible to guess at the sad conclusion of this very entertaining and stimulating journey. It's a typical Irene Dunne film, it's like a twin shadow of "Love Affair" of the same year, but although this film is more hearty and gleeful in its romantic ways, it is more tragic than "Love Affair", which puts on a more sinister fateful aspect but nevertheless ends better. Here you are faced with a truly hopeless situation with no end to its abysmal tragedy, which no one can do anything about, and still Charles Boyer and Irene Dunne settle to make the best of it and hope for tomorrow anyway, and maybe, after all, it will come...
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is When Tomorrow Comes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- When Tomorrow Comes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Veillée d'amour (1939) officially released in Canada in English?
Répondre