Ajouter une intrigue dans votre langueRe-enactments of the real-life USO experiences of its female stars entertaining troops overseas.Re-enactments of the real-life USO experiences of its female stars entertaining troops overseas.Re-enactments of the real-life USO experiences of its female stars entertaining troops overseas.
- Réalisation
- Scénario
- Casting principal
Eddie Acuff
- Sentry
- (scènes coupées)
Renee Carson
- Swedish Maid
- (scènes coupées)
Edith Evanson
- French Maid
- (scènes coupées)
Mary Field
- Maid
- (scènes coupées)
Betty Roadman
- Housekeeper
- (scènes coupées)
Avis à la une
Four Jills in a Jeep was inspired by a book that Carole Landis wrote about the tours she made with USO overseas at the beginning of American participation in World War II. Besides Carole, the other three performing with her on this tour were Kay Francis, Mitzi Mayfair and Martha Raye.
When 20th Century Fox did this film they appealed to the fantasy of every GI in the field as well those potentially going overseas. Not only do the stars entertain the boys over there, but they get romantically involved with a few of them. Talk about a morale booster.
Besides the four stars playing themselves, Alice Faye, Betty Grable and Carmen Miranda came on via radio broadcast from the Armed Forces Radio broadcast show Command Performance USA. All of them reprised numbers that they had sung in Fox musicals.
In addition to the female film stars Four Jills in a Jeep was the feature film debut of singer Dick Haymes. After Crosby and Sinatra, Haymes was probably the best known male singer of the Forties. He had a smooth baritone and really knew his way around a lyric. He introduced a song How Blue the Night that became a hit for him and just in time to record as the famous musicians strike against the record companies was just concluding.
Seeing Dick Haymes in an army uniform is quite ironic indeed as it was later brought out about how he had claimed Argentine citizenship in order to avoid the draft. Haymes was born in Argentina of visiting American parents. His career sank like an anchor after that one.
Phil Silvers did a version of the character he later perfected as Sergeant Bilko in the Fifties on television. Martha Raye who also made it big on television in the Fifties, complements Silvers well in the comedy department. Phil's a funny guy all right, but he should only be taken in moderation. Martha of course entertained our troops in World War II, Korea, and Vietnam with the same enthusiasm that you see here on the screen.
With Jimmy Dorsey and his band in the cast for some up to date Forties swing, what more could you get in a Forties musical. A nice film, I'm sure appreciated both at home by the Rosie the Riveteer crowd and the troops abroad.
When 20th Century Fox did this film they appealed to the fantasy of every GI in the field as well those potentially going overseas. Not only do the stars entertain the boys over there, but they get romantically involved with a few of them. Talk about a morale booster.
Besides the four stars playing themselves, Alice Faye, Betty Grable and Carmen Miranda came on via radio broadcast from the Armed Forces Radio broadcast show Command Performance USA. All of them reprised numbers that they had sung in Fox musicals.
In addition to the female film stars Four Jills in a Jeep was the feature film debut of singer Dick Haymes. After Crosby and Sinatra, Haymes was probably the best known male singer of the Forties. He had a smooth baritone and really knew his way around a lyric. He introduced a song How Blue the Night that became a hit for him and just in time to record as the famous musicians strike against the record companies was just concluding.
Seeing Dick Haymes in an army uniform is quite ironic indeed as it was later brought out about how he had claimed Argentine citizenship in order to avoid the draft. Haymes was born in Argentina of visiting American parents. His career sank like an anchor after that one.
Phil Silvers did a version of the character he later perfected as Sergeant Bilko in the Fifties on television. Martha Raye who also made it big on television in the Fifties, complements Silvers well in the comedy department. Phil's a funny guy all right, but he should only be taken in moderation. Martha of course entertained our troops in World War II, Korea, and Vietnam with the same enthusiasm that you see here on the screen.
With Jimmy Dorsey and his band in the cast for some up to date Forties swing, what more could you get in a Forties musical. A nice film, I'm sure appreciated both at home by the Rosie the Riveteer crowd and the troops abroad.
With so much talent, while definitely worth watching, 'Four Jills in a Jeep' could have been great. Instead, to me, it was more decent but uneven, and while most of the cast fare well and there are many entertaining bits a couple are not used well.
It is easy to see why some may dislike 'Four Jills in a Jeep'. The story isn't much of one and is more an excuse to string along the acts together. The dialogue is forgettable at best and often stilted and on the wrong side of silly. While singing beautifully (of course), Dick Haymes is somewhat dull with his performance betraying acting inexperience and Kay Francis is rather wasted.
However, Carole Landis epitomises class and glamour and Martha Raye brings a lot of manic energy to her performance here. Practically forgotten Mitzi Mayfair is a vivaciously cute presence and does a great job in the dance department.
Supporting them more than ably are a dynamite Carmen Miranda (living up to her nickname "The Brazilian Bombshell"), a heartfelt Alice Faye (her rendition of "You'll Never Know" is more than likely to induce tears in the eyes and even rolling down the cheeks), an amusing Phil Silvers (in a hilarious scene involving an audience heckler) and charming Betty Grable even if she has been much better elsewhere. Jimmy Dorsey provides invaluable support too, and the Jitterbug sequence is a delight.
Production values are very nicely done, black and white is crisp and the photography is pleasing enough. Some songs are more memorable than others but most are a very pleasant listen, though "You'll Never Know" comes closest to being a classic, and cleverly and dynamically choreographed.
On the whole, uneven but entertaining. 7/10 Bethany Cox
It is easy to see why some may dislike 'Four Jills in a Jeep'. The story isn't much of one and is more an excuse to string along the acts together. The dialogue is forgettable at best and often stilted and on the wrong side of silly. While singing beautifully (of course), Dick Haymes is somewhat dull with his performance betraying acting inexperience and Kay Francis is rather wasted.
However, Carole Landis epitomises class and glamour and Martha Raye brings a lot of manic energy to her performance here. Practically forgotten Mitzi Mayfair is a vivaciously cute presence and does a great job in the dance department.
Supporting them more than ably are a dynamite Carmen Miranda (living up to her nickname "The Brazilian Bombshell"), a heartfelt Alice Faye (her rendition of "You'll Never Know" is more than likely to induce tears in the eyes and even rolling down the cheeks), an amusing Phil Silvers (in a hilarious scene involving an audience heckler) and charming Betty Grable even if she has been much better elsewhere. Jimmy Dorsey provides invaluable support too, and the Jitterbug sequence is a delight.
Production values are very nicely done, black and white is crisp and the photography is pleasing enough. Some songs are more memorable than others but most are a very pleasant listen, though "You'll Never Know" comes closest to being a classic, and cleverly and dynamically choreographed.
On the whole, uneven but entertaining. 7/10 Bethany Cox
Four Jills In A Jeep in based loosely on the true story of a USO unit which went overseas. Headed by Kay Francis, it also included Martha Raye, Carole Landis, and Mitzi Mayfair. In the movie version, there are romances which didn't really take place, plus all-too-frequent appearances by Phil Silvers as an Army sargeant who is their escort. This film also marked the first "official" appearance of Dick Haymes in a movie, although he actually appeared in a film earlier. As with USO type musicals of this period, there are specialty numbers by guest stars including Jimmy Dorsey and his band (in top form here), Betty Grable, Carmen Miranda, and Alice Faye, in one of her last films. She sings a heart rending version of "You'll Never Know" which make one realize what a beautiful song this really is, how much it meant to service men and women far from home, and what a jerk Englebert Humperdinck is for the way he sings it. The movie was also the last high water mark for the four leading actresses. Mitzi Mayfair never made another movie. Kay Francis made only two or three more before retiring. Carole Landis would suffer personal problems and die a few years later. Martha Raye moved on to a successful career in 1950's television, and twenty years later would entertain troops in Viet Nam in much the same way as she does here.
Kay Francis, Carole Landis, Martha Raye and Mitzi Mayfair entertain troops in London and Africa with some love interests thrown in to try and make a story. Some star guests also make an appearance but they are not very good.
This film is about 4 women doing their wartime turns for soldiers at different camps. There is no storyline and their acts are pretty dreadful. While I was watching the film, I had a phone call asking me what I wanted from MacDonalds. I replied that I wanted a Big Mac, a Quarter Pounder with cheese, a cheeseburger and small fries coz I had 3 bottles of wine the night before and was craving junk food. When I resumed watching the film, the girls were riding camels and even though I had no idea what was happening, I can guarantee 100% that I missed absolutely nothing. There are 2 good moments in the film - one is Carole Landis singing lit up by lighters as the lights go out because of an air raid, and the other is Mitzi Mayfair dancing - she can kick the back of her head! Overall verdict - a Big Mac is better than a Quarter Pounder with cheese.
This film is about 4 women doing their wartime turns for soldiers at different camps. There is no storyline and their acts are pretty dreadful. While I was watching the film, I had a phone call asking me what I wanted from MacDonalds. I replied that I wanted a Big Mac, a Quarter Pounder with cheese, a cheeseburger and small fries coz I had 3 bottles of wine the night before and was craving junk food. When I resumed watching the film, the girls were riding camels and even though I had no idea what was happening, I can guarantee 100% that I missed absolutely nothing. There are 2 good moments in the film - one is Carole Landis singing lit up by lighters as the lights go out because of an air raid, and the other is Mitzi Mayfair dancing - she can kick the back of her head! Overall verdict - a Big Mac is better than a Quarter Pounder with cheese.
This is a show about a USO tour during WW11. It has a little more than sentimental value as I saw Martha Raye during my tour of Vietnam in the late 60's Camp Enari. Where many famous people just went to say that they did, Martha Rey really meant it and you could tell.
You can tell it is one of those made-up films that has stilted and hokey dialog to try and entertain the viewer. Somehow it works. The movie is based on the actual experience of Kay Francis, Carole Landis, and Mitzi Mayfair. And being produced in 1944 we do not get it through a hindsight filter of half a century.
The DVD I watched has: Isolated score track Deleted scenes The real four Jill's Restoration Comparison Still Gallery And more
Filmed at 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA.
You can tell it is one of those made-up films that has stilted and hokey dialog to try and entertain the viewer. Somehow it works. The movie is based on the actual experience of Kay Francis, Carole Landis, and Mitzi Mayfair. And being produced in 1944 we do not get it through a hindsight filter of half a century.
The DVD I watched has: Isolated score track Deleted scenes The real four Jill's Restoration Comparison Still Gallery And more
Filmed at 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA.
Le saviez-vous
- AnecdotesFive songs were dropped from the release print: "Coming in on a Wing and a Prayer" (music by Jimmy McHugh, lyrics by Harold Adamson), sung with a bit of comedy by Martha Raye; the slightly risqué "SNAFU" (music by McHugh, lyrics by Adamson), sung and danced by Martha Raye, Carole Landis and Mitzi Mayfair; "It's the Old Army Game" (music by McHugh, lyrics by Adamson), performed by Kay Francis (reciting rather than singing while supposedly playing the piano), plus Raye, Landis and Mayfair; "Silent Night" (music by Franz Xaver Gruber, lyrics by 'Josef Mohr'); sung by Martha Raye; and "Mamae Yo Quero" (music by Vicente Paiva, Portuguese lyrics by Jararaca), sung and danced by Carmen Miranda. All five songs as filmed still exist.
- ConnexionsEdited into La guerre, la musique, Hollywood et nous... (1976)
- Bandes originalesOver There
Written by George M. Cohan
Played during opening credits
Also background music featuring [link-nm1257475]
Sung briefly in harmony by Kay Francis, Eliseu Ricardo, Mitzi Mayfair and Carole Landis.
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- How long is Four Jills in a Jeep?Alimenté par Alexa
- Carole Landis---When Did She Change Name Legally?
Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Four Jills in a Jeep (1944) officially released in Canada in English?
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