L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante éva... Tout lireL'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.
- Prix
- 3 victoires et 18 nominations au total
Histoire
Le saviez-vous
- AnecdotesOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien: Le huitième passager (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GaffesA supposedly well-trained crew take no precautions at all against infections from an alien biosphere. They had no reason to suspect a link with humans, but Earth has bacteria like Tetanus that cannot survive in a human, but often causes death while trying. They have an android, safe from infection, but go themselves.
- Générique farfeluThe 20th Century Fox logo is in a shade of dark blue-gray.
- Autres versionsChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnexionsEdited into Alien: Covenant - Advent (2017)
- Bandes originalesTheme from Alien
Composed by Jerry Goldsmith
Commentaire en vedette
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
- TheLittleSongbird
- 28 juin 2017
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Prometheus 2
- Lieux de tournage
- Milford Sound, Fiordland National Park, Southland, Nouvelle-Zélande(spacecraft landing site)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 97 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 74 262 031 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 36 160 621 $ US
- 21 mai 2017
- Brut – à l'échelle mondiale
- 240 892 187 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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