ÉVALUATION IMDb
6,2/10
121 k
MA NOTE
Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.
- Nommé pour 1 oscar
- 3 victoires et 2 nominations au total
Avis en vedette
Eraser is a film typical of its genre. What genre, you ask? Why, the "the terrorists-are-coming-and-it's one-man-against-the-world-so-shoot-em-up, blow-em-up, and save-the-girl-and-the-day" genre, of course. Too complicated for you? Don't worry, because the movie isn't. As a matter of fact, it's readily accessible to anyone over the age of 7 - not that this movie is age-appropriate for everyone over the age of 7 (Note: This was my favorite movie when I was 10) - but rather that the concepts, and thus the plot, are simple. This isn't a movie you go see if you're seeking a two hour thinking experience.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
A decade ago, this Arnold Schwarzenegger action flick was fairly hot stuff but I wonder if it would have the impact today since special effects are so much better and we've seen so many of these type of action stories in the past 10 years.
One of Arnold's keys to his successful career in films was simply that his movies were entertaining, and that's why people come to the theaters. High-brow critics often forget that. "Eraser" is a prime example. Entertainment alone is how this particular movie survives since common logic doesn't exist while violence and profanity are overdone. But, despite it's low-brow tastes and stupidity, it's still generally fun to watch if you can put your brain on hold for two hours. It's also fun to hear if you have a nice surround system.
This movie has one of the most outrageous action scenes I've ever seen on film, even to this day: one in which Arnold hangs from the outside of a jet airplane, finally lets go, free-falls to catch his parachute that had been ripped off, and then has to worry about the jet plane which had circled around and was going to smash him!!
The audio came into play nicely each time the super rifle that was featured in the movie was shot. Vanessa Williams plays the female lead satisfactorily and James Caan is very effective as the villain. Robert Pastorelli and James Coburn also add to the fun. A few laughs along the way help this no-brainer to become even more entertaining.
One of Arnold's keys to his successful career in films was simply that his movies were entertaining, and that's why people come to the theaters. High-brow critics often forget that. "Eraser" is a prime example. Entertainment alone is how this particular movie survives since common logic doesn't exist while violence and profanity are overdone. But, despite it's low-brow tastes and stupidity, it's still generally fun to watch if you can put your brain on hold for two hours. It's also fun to hear if you have a nice surround system.
This movie has one of the most outrageous action scenes I've ever seen on film, even to this day: one in which Arnold hangs from the outside of a jet airplane, finally lets go, free-falls to catch his parachute that had been ripped off, and then has to worry about the jet plane which had circled around and was going to smash him!!
The audio came into play nicely each time the super rifle that was featured in the movie was shot. Vanessa Williams plays the female lead satisfactorily and James Caan is very effective as the villain. Robert Pastorelli and James Coburn also add to the fun. A few laughs along the way help this no-brainer to become even more entertaining.
A super-slick slice of action, starring the reliable Arnie. This fast-paced flick has a lot bigger budget than Arnie's '80s offerings but it's not quite as enjoyable, despite an eye-popping array of visual effects and non-stop action sequences. There's a clinical detachment to this film, mainly due to the 'seen it all before' feel, as nothing really proves memorable or fresh.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
US Marshal John Kruger (Arnold Schwarzenegger) is an expert at erasing identities at WITSEC. Chief Beller (James Coburn) assigns Lee Cullen (Vanessa Williams) to him. She's a whistle-blower at defense contractor Cyrez Corporation. After getting the evidence for the government, she is resistant to WITSEC and killers come after her with high-tech weapons. Fellow Marshal Robert DeGuerin (James Caan) tells Kruger that someone is killing witnesses.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
the story goes as follows Lee Cullen a worker for Cyrez Corporation which develops top secret weapons stumbles upon illegal arms deals and acquires the information and barley escapes with help from the F.B.I and is then placed under the protection of U.S Marshell John Kruger who erases the past of witnesses under Witness Protection to give them a future Lee however has been targeted by terrorists to cover up the scam and John Kruger is being targeted by some of his fellow US Marshells and is framed for murder now he has to protect Lee prove his innocence and exposes the illegal arms deal before it happens. I give Eraser seven out of ten because its one of Arnolds best movies of the late 1990's just see it for yourself to believe it.
Le saviez-vous
- AnecdotesThe John Kruger role was originally offered to Sylvester Stallone. He absolutely hated the script, turned the offer down and instead starred in Détectives (1997).
- GaffesDeGuerin's agents say they traced the 'run' call from Kruger to Lee to an apartment in Chinatown. It is impossible to determine the location a pager receives a call, much less the specific apartment.
- Citations
Father Rodriguez: The police have returned to the safety of their doughnut shops.
- Autres versionsIn later versions of the movie, the reference of UBS meaning "Union de Bank Swiss" is changed to "United Bank of Syria."
- Bandes originalesWhere Do We Go From Here
Written by Linda Thompson, David Foster, Evan Kopelson and Douglas Pashley
Produced and arranged by David Foster
Performed by Vanessa Williams
Courtesy of Mercury Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Eraser
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 101 295 562 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 24 566 446 $ US
- 23 juin 1996
- Brut – à l'échelle mondiale
- 242 295 562 $ US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was L'effaceur (1996) officially released in India in English?
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