Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.
- Nominé pour le prix 1 BAFTA Award
- 6 victoires et 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesWhen Takashi Shimura rehearsed his singing of "Song of the Gondola," director Akira Kurosawa instructed him to "sing the song as if you are a stranger in a world where nobody believes you exist."
- GaffesWhen Kanji and the Novelist go to a busy, loud nightclub, the film has been reversed as evidenced by the backwards "Nippon Beer" banner in the background.
- ConnexionsFeatured in The Siskel & Ebert 500th Anniversary Special (1989)
- Bandes originalesJ'ai Deux Amours
(uncredited)
Music by Vincent Scotto
Lyrics by Georges Koger and Henri Varna
Performed by Josephine Baker
[Played when entering the bar with the long-faced man]
Commentaire en vedette
Probably one of the most difficult aspects a film like "Ikiru" has to overcome is the very rough march of time. To actually find someone these days, let's say a crowd of regular movie-goers to sit down and watch a film about an old Japanese man dying of cancer would be too much to ask.
Long held shots, hardly uplifting subject, to westerners very foreign. An array of reasons not to see it. And yet, once you actually start getting into the picture it doesn't let you go. Which is why it may be rightfully considered to be a classic.
Of all of Kurosawa's films this is probably the one movie that works perfectly on a universal level. Because at its core it is about one of the most basic desires of human existence...namely to be able to look back on your life and say "It was worth it."
In its starch and unforgiving black-and-white form the movie records the time of one man's life in such a beautiful and yes, colorful way, that by the time the final moments of the film play out, it will be very hard for anybody not to be touched. A glorious moment in 20th century cinema, that will hopefully be preserved for decades to come.
Long held shots, hardly uplifting subject, to westerners very foreign. An array of reasons not to see it. And yet, once you actually start getting into the picture it doesn't let you go. Which is why it may be rightfully considered to be a classic.
Of all of Kurosawa's films this is probably the one movie that works perfectly on a universal level. Because at its core it is about one of the most basic desires of human existence...namely to be able to look back on your life and say "It was worth it."
In its starch and unforgiving black-and-white form the movie records the time of one man's life in such a beautiful and yes, colorful way, that by the time the final moments of the film play out, it will be very hard for anybody not to be touched. A glorious moment in 20th century cinema, that will hopefully be preserved for decades to come.
- Serge_Zehnder
- 10 juin 2004
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Détails
Box-office
- Brut – États-Unis et Canada
- 60 239 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 149 $ US
- 29 déc. 2002
- Brut – à l'échelle mondiale
- 113 262 $ US
- Durée2 heures 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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