La historia del rey George VI (Jorge VI), su ascenso improvisado al trono del Imperio Británico en 1936, y la figura del que lo ayudó a superar su tartamudeo.La historia del rey George VI (Jorge VI), su ascenso improvisado al trono del Imperio Británico en 1936, y la figura del que lo ayudó a superar su tartamudeo.La historia del rey George VI (Jorge VI), su ascenso improvisado al trono del Imperio Británico en 1936, y la figura del que lo ayudó a superar su tartamudeo.
- Ganó 4 premios Óscar
- 109 premios ganados y 206 nominaciones en total
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- TriviaNine weeks before filming began, Lionel Logue's grandson, Mark Logue, discovered a large box in his attic that contained his grandfather's personal papers. The box held Lionel Logue's diary, his appointment book, notes from his speech therapy sessions with King George VI, and over 100 personal letters to Logue from the King. It also contained what is believed to be the actual copy of the speech used by George VI in his 1939 radio broadcast announcing the declaration of war with Germany. Mark Logue turned his grandfather's papers, letters, and diary over to director Tom Hooper and screenwriter David Seidler, who used them to flesh out the relationship between Logue and the King. Geoffrey Rush and Colin Firth also read through the material for insight into their characters. The exchange in this movie between Logue and King George VI following his radio speech ("You still stammered on the 'W'." / "Well, I had to throw in a few so they knew it was me.") was taken directly from Logue's diary. Firth insisted that it should be included in the movie.
- ErroresIn the final speech, King George VI has one blue eye and one brown eye. Colin Firth had lost a contact lens.
- Citas
King George VI: All that... work... down the drain. My own... b... brother, I couldn't say a single w-word to him in reply.
Lionel Logue: Why do you stammer so much more with David than you ever do with me?
King George VI: 'Cos you're b... bloody well paid to listen.
Lionel Logue: Bertie, I'm not a geisha girl.
King George VI: Stop trying to be so bloody clever.
Lionel Logue: What is it about David that stops you speaking?
King George VI: What is it about you that bloody well makes you want to go on about it the whole bloody time?
Lionel Logue: Vulgar, but fluent; you don't stammer when you swear.
King George VI: Oh, bugger off!
Lionel Logue: Is that the best you can do?
King George VI: [like an elocution lesson] Well... bloody bugger to you, you beastly bastard.
Lionel Logue: Oh, a public school prig could do better than that.
King George VI: Shit. Shit, shit, shit, shit, shit, shit, shit, shit, shit, shit, shit, shit!
Lionel Logue: Yes!
King George VI: Shit!
Lionel Logue: Defecation flows trippingly from the tongue!
King George VI: Because I'm angry!
Lionel Logue: Do you know the f-word?
King George VI: F... f... fornication?
Lionel Logue: Oh, Bertie.
King George VI: Fuck. Fuck! Fuck, fuck, fuck and fuck! Fuck, fuck and bugger! Bugger, bugger, buggerty buggerty buggerty, fuck, fuck, arse!
Lionel Logue: Yes...
King George VI: Balls, balls...
Lionel Logue: ...you see, not a hesitation!
King George VI: ...fuckity, shit, shit, fuck and willy. Willy, shit and fuck and... tits.
- Créditos curiososIn the end credit roll, Philip Clements is listed twice as Assistant Sound Editor.
- ConexionesFeatured in Breakfast: Episode dated 22 October 2010 (2010)
- Bandas sonorasLe nozze di Figaro Overture
Written by Wolfgang Amadeus Mozart
[During the first therapy session when King's voice is being recorded]
The story gives us a fascinating look into the struggles faced by George VI on his way to becoming king of England. The story line is all about his stuttering, but underneath all that are suppressed memories from childhood, growing up in the shadow of an elder brother, perpetual negative reinforcement from a domineering father, etc. It's a psychoanalytical look at a well-known royal family, and while I can't vouch for its absolute veracity, it gives a rare glimpse into the lives of people we wouldn't otherwise observe at this level of intimacy (much like "Queen" did a few years ago).
The contrast between George and Edward VIII is most fruitful. It's the clash between duty and hedonism, fulfilling one's personal quest for happiness vs. overcoming one's worst fears on behalf of your people and country. Edward is typically romanticized and lionized, but here we see him as more of a spoiled, selfish lout.
But the heart of the movie is the relationship between George and Lionel Logue (Geoffrey Rush), who is helping him overcome his speech problems. Both actors are at the absolute top of their form. Firth is brilliant as the aloof, initially reluctant and distrustful monarch, while Rush shows the same wink-of-the-eye humor and irony that he did as Barbossa, relishing the sheer inequality of their positions yet knowing the extent to which George is dependent on him. Ultimately a true friendship develops between the men, and since they are both such endearing characters, it's a joy to watch.
I should add that Helena Bonham-Carter is also spot-on as the haughty yet practical queen consort. Other more minor roles are effectively played (e.g., Winston Churchill, George V). The entire movie is a perfect blend of history, personal and familial drama, with broader themes of perseverance and overcoming adversity which give it a timeless application.
Lastly, in this movie's case, the "R" rating is for "Ridiculous." The only potentially offensive material is some over-the-top language (including the F-word) which plays a part in one scene, and is clearly used for comic purpose and with great effect. I unhesitatingly took my 13 year old daughter and (depending on the child) might be okay for even younger ones. Don't let that stop you from seeing this gem.
- dbogosian-1
- 26 dic 2010
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The King's Speech
- Locaciones de filmación
- Elland Road Football Stadium, Elland Road, Beeston, Leeds, Yorkshire del Oeste, Inglaterra, Reino Unido(as Wembley Stadium at start of film)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 138,797,449
- Fin de semana de estreno en EE. UU. y Canadá
- USD 355,450
- 28 nov 2010
- Total a nivel mundial
- USD 472,088,310
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1