Nathan Barley

A lot of people will argue that Chris Morris has gone off the boil. Perhaps he has, but his sense of satire is still sharper than anyone. Before he had great success spoofing media sensationalism of current affairs with the groundbreaking BrassEye and years before that The Day Today (with Steve Coogan). Here he takes it a step further and spoofs London journo scenesters, always trying to stay ahead of the pack with the next trend and fad.

It follows the career of struggling columnist Dan Ashcroft, a semi-intellectual trapped between the idiots he works with and a more astute crowd and a man who epitomises everything that Dan hates about his life - his biggest disciple - Nathan Barley. From the first episode it lays out Dan's dilemma and as the series unfolds shows us why he isn't so very different from the people he hates and is surrounded by, perhaps that he is in some way responsible for them. A philosophical tale that everyone can relate to on some level.

Whether this is an accurate spoof I can't tell, as I don't know anyone of the crowd Morris pokes fun at here so mercilessly. On my third and fourth viewings I still try to decide whether the writing is minimalist genius or just lazy. But for some reason it is humorous and believable... you can imagine tabloid writers sitting round a meeting table surrounded by office toys, desperately trying to "outcool" the next paper by spawning meaningless catchphrases and reviewing supposed artists who are nothing more than shameless fools. Whether it's happened yet, or it's a prediction of the sort of culture we're heading towards, it certainly entertains and forces questions about the way we perceive and are led by mass media. 8/10

Before I watched this series on DVD, I was wondering why there were so many bad reviews by fans of Chris Morris. But now I kind of understood the reason why. Because the story is pretty much about Chris Morris himself; a caricature of what he has achieved and people who appreciate his comedy. Chris Morris's followers are all despised in there. The person who you believe is your 'Preacher Man' now tells you he is an 'Idiot'.....who could instantly appreciate such things? From 'On the Hour 'to 'Blue Jam', he had been making, topical , but more and more excessive humour to the point that no one can really laugh out loud. (Oh, please, is there anyone who's cracked up with the joke about a man who kept committing suicide?) Those jokes are just like Nathan's trashbat.co.ck and what his people find 'COOL'. By watching this sitcom, one could guess a bit about his inner thoughts when he received all those praises and admiration on his works. He might have been in a gridlock because how deviantly he went, no one said no to him and the way out was to ridicule himself in the exactly same way as he did previously. I think Nathan Barley is a natural step for a comic genius like Chris Morris. I really loved it. Glad to purchase this DVD.

Chris Morris has not, contrary to some people's opinion, failed at producing a truly inspired piece of work in his latest series "Nathan Barley". His talent for humour shines through all over the place, and the show is riddled with almost subliminal jokes. When I watched both of the two first episodes, I was laughing out loud. This certainly rivals "Brass Eye" and "The Day Today" and I would personally rate it above those two.

One thing I will say though is that the people who don't appreciate "Nathan Barley" clearly are the people who find "Friends" funny. There is a lack of the increasingly boring slapstick humour, instead the show is packed with amusing irony and stupid phrases - my favourite: "It's gonna be totally fukin Mexico." I think that Chris and Charlie are onto a winner and avidly await the next four episodes...

One of the most important things about comedy is, in my opinion, the characters. If you don't feel a certain amount of emotion, whatever kind it may be, for the characters within a comedy, it's not worth watching it and it's boring. All of the characters in Nathan Barley you can feel something for.

The first character that I felt a kind of affinity with was Claire, the young aspiring film maker with sass and a kind heart. And her brother Dan, trying to keep his head above water whilst swimming in a sea of idiots and failing miserably because of his extreme lack of assertiveness and initiative. His character you can only feel sorry for up to a certain point before you realize that he has brought most of his misfortunes on him self.

There's also a funny thing about Nathan Barley as a character. At times he certainly falls into the demographic of "the idiot" and even quite a horrible person, but at other times you are forced to almost feel sorry for him, while at the same time remembering if he wasn't an idiot he wouldn't have gotten him self into the mess in the first place. There's something lovely about all of the character in this series, something we can all relate to, laugh at and bond with.

In a way they have hit the nail on the head with the culture in every city society that is coming to light over the past few years. The wearing of tight jeans, huge sunglasses, huge white running shoes, fluro off the shoulder t-shirts and probably the most pointless, the cross over of meaningless web sites into real life clubbing culture. I'd like to call this show a spoof, but that would somehow cheapen it and I don't want to do that. Watch it and make up your own mind on what genre, if any, it is.

Personally I thought it was brilliant as I like to laugh at the little things in a comedy show. The little throw away sentences that not everyone would pick up on, the slight look of a disgruntled character or an extras dressed a certain way in the back ground. If you like to laugh at those little details, then this show is certainly for you. It is also for you if you like what I refer to as 'cringe worthy comedy.'

Probably the first "sitcom" i can think of that achieved this was Faulty Towers. You felt something for Basil, even if he was a prat, and therefore found your self cringing at the scenes in which he embarrassed him self or the scenes in which he got physically hurt. Another show that's like this is The Office. David Brent is another character you find your self not liking too much, but almost wishing when you watch it the second time around that he wouldn't embarrass him self and say what you know he is going to say.

Nathan Barley is the same kind of thing and you'll find your self feeling sorry for many of the characters, while at the same time disliking them immensely. Comedy is an awfully emotion thing, and this is one of the most emotional comedies around at the moment.

Opinions are mixed about Nathan Barley - suffice to say, if you expect Chris Morris and Charlie Brooker to re-hash their earlier work and be satisfied then you've misunderstood their ethos (wheras I'm guessing at it - but at least I'm making an effort!!)

It's not Brasseye or TV Go Home, and why would it be? They're done, they exist and we can watch/read them.

The target for their humour might be narrow, but it works from a city-dweller perspective - and as I recall from my youth, there's always stupid trend-focused fools in villages too!

I loved it - you might? But it's not Jam or Brasseye, or TV Go Home or Charlie's Guardian columns (although I *would* like to see Charlie getting proper spleen-venting exposure!).