CALIFICACIÓN DE IMDb
7.1/10
24 k
TU CALIFICACIÓN
Un joven reportero australiano intenta navegar por la agitación política de Indonesia durante el gobierno del presidente Sukarno con la ayuda de un diminuto fotógrafo.Un joven reportero australiano intenta navegar por la agitación política de Indonesia durante el gobierno del presidente Sukarno con la ayuda de un diminuto fotógrafo.Un joven reportero australiano intenta navegar por la agitación política de Indonesia durante el gobierno del presidente Sukarno con la ayuda de un diminuto fotógrafo.
- Ganó 1 premio Óscar
- 10 premios ganados y 14 nominaciones en total
Argumento
¿Sabías que…?
- TriviaDirector Peter Weir cast Linda Hunt in the role of Billy Kwan after failing to find an actor who could play the part the way he wanted.
- ErroresBilly's still camera is a Nikon F2 Photomic, which was not released until 1971, while the film takes place in 1965.
- Citas
Billy Kwan: What then must we do? We must give with love to whoever God has placed in our path.
- ConexionesFeatured in Peter Weir Industry Seminar 1989 (1989)
- Bandas sonorasBeim Schlafengehen
from "Four Last Songs"
by Richard Strauss
Performed by Kiri Te Kanawa and London Symphony Orchestra
Conducted by Andrew Davis
Courtesy of CBS Masterworks
Published by Boosey-Hawkes
Opinión destacada
I am a little amazed that, so far, only 40 comments have been entered. Fortunately most are of high quality, and all the important points related to the film are clearly highlighted. So, I will not repeat what has been well said by others. I want to explain one additional point, it has to do with my personal experience but might be interesting to mention.
I'm a professional expatriate, living overseas for 25 years. I'm not talking about an American in Paris or an Englishman in New York, I mean African steppes, tropical jungles, Indian slums. Living in a totally foreign country, in a totally strange culture, imperfectly understanding the local language, bewildered by alien logic, you experience a permanent sense of unease. You adapt, you learn to cope, you make what you hope are friends. But you never forget that you are a stranger in unknown territory, and that you are vulnerable.
You may peacefully walk on the street one minute, the next minute bullets are flying all around you. In the evening you have a pleasant drink with your neighbour, in the morning you are arrested, accused of being a foreign mercenary. When you travel inland you come at a road block, not knowing if they'll let you pass, or harass you for a couple of hours, or confiscate your car. As a foreigner in developing countries, you are constantly confronted with uncertainty, an intangible menace lurking around the corner.
I find that TYOLD transmits this sense of menace very poignantly. Many people have commented on its brilliant sense of place, the accurate depiction of Indonesia and the events that took place at the time. Others mention that you get a very real feeling of the tension and uncertainty journalists in times of upheaval are subjected to. But I would like to extend it beyond journalists. The sense of menace in TYOLD is eminently recognizable by all who have lived in countries where the police is not there to protect you, the laws are not there to make society more civilized, the hospitals are not there to cure you. In TYOLD, the menace is made visible because of the troubles that erupt, but usually you do not have to live through civil war when overseas. Still, the menace is not less real, and the sense of foreboding haunting every expatriate was very convincingly conveyed in the film.
I'm a professional expatriate, living overseas for 25 years. I'm not talking about an American in Paris or an Englishman in New York, I mean African steppes, tropical jungles, Indian slums. Living in a totally foreign country, in a totally strange culture, imperfectly understanding the local language, bewildered by alien logic, you experience a permanent sense of unease. You adapt, you learn to cope, you make what you hope are friends. But you never forget that you are a stranger in unknown territory, and that you are vulnerable.
You may peacefully walk on the street one minute, the next minute bullets are flying all around you. In the evening you have a pleasant drink with your neighbour, in the morning you are arrested, accused of being a foreign mercenary. When you travel inland you come at a road block, not knowing if they'll let you pass, or harass you for a couple of hours, or confiscate your car. As a foreigner in developing countries, you are constantly confronted with uncertainty, an intangible menace lurking around the corner.
I find that TYOLD transmits this sense of menace very poignantly. Many people have commented on its brilliant sense of place, the accurate depiction of Indonesia and the events that took place at the time. Others mention that you get a very real feeling of the tension and uncertainty journalists in times of upheaval are subjected to. But I would like to extend it beyond journalists. The sense of menace in TYOLD is eminently recognizable by all who have lived in countries where the police is not there to protect you, the laws are not there to make society more civilized, the hospitals are not there to cure you. In TYOLD, the menace is made visible because of the troubles that erupt, but usually you do not have to live through civil war when overseas. Still, the menace is not less real, and the sense of foreboding haunting every expatriate was very convincingly conveyed in the film.
- damien-16
- 13 dic 2004
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Year of Living Dangerously?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Year of Living Dangerously
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,278,575
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,000
- 23 ene 1983
- Total a nivel mundial
- USD 10,278,575
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was El año que vivimos en peligro (1982) officially released in India in English?
Responda