CALIFICACIÓN DE IMDb
8.0/10
46 k
TU CALIFICACIÓN
Después de conocer a un extraño en una estación de tren, una mujer siente la tentación de engañar a su marido.Después de conocer a un extraño en una estación de tren, una mujer siente la tentación de engañar a su marido.Después de conocer a un extraño en una estación de tren, una mujer siente la tentación de engañar a su marido.
- Nominado a 3 premios Óscar
- 4 premios ganados y 3 nominaciones en total
Wilfred Babbage
- Policeman at War Memorial
- (sin créditos)
Alfie Bass
- Waiter at the Royal
- (sin créditos)
Wallace Bosco
- Doctor at Bobbie's Accident
- (sin créditos)
Sydney Bromley
- Johnnie - Second Soldier
- (sin créditos)
Noël Coward
- Train Station Announcer
- (sin créditos)
Nuna Davey
- Herminie Rolandson - Mary's Cousin
- (sin créditos)
Valentine Dyall
- Stephen Lynn - Alec's 'Friend'
- (sin créditos)
Irene Handl
- Cellist and Organist
- (sin créditos)
Dennis Harkin
- Stanley - Beryl's Man
- (sin créditos)
Edward Hodge
- Bill - First Soldier
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThis movie was shot during the final days of World War II, going into production in January 1945. Filming was completed in May, with an interruption on May 8 to celebrate Germany's surrender.
- ErroresCarnforth Station has had its name board covered and replaced with a big sign reading Milford Junction, but the smaller platform notices (behind Laura when Alec tells her about the job in South Africa) still show the next train's destinations as Hellifield, Skipton, Bradford and Leeds.
- Citas
Laura Jesson: It's awfully easy to lie when you know that you're trusted implicitly. So very easy, and so very degrading.
- ConexionesFeatured in A Touch of Class (1973)
- Bandas sonorasRachmaninoff Piano Concerto No.2.
Written by Sergei Rachmaninoff (uncredited)
Played by Eileen Joyce with The National Symphony Orchestra
Conducted by Muir Mathieson
Opinión destacada
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.
Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her dull, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.
Noel Coward produced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his dulcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be adulterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.
Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her dull, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.
Noel Coward produced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his dulcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be adulterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.
- Philby-3
- 19 jun 2002
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Brief Encounter
- Locaciones de filmación
- Carnforth Station, Carnforth, Lancashire, Inglaterra, Reino Unido(exterior of Milford Junction Station)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 170,000 (estimado)
- Total a nivel mundial
- USD 119,400
- Tiempo de ejecución1 hora 26 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Lo que no fue (1945) officially released in India in English?
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