La historia del bombardeo de la maratón de Boston del 2013 y la búsqueda de personas en la ciudad para encontrar a los terroristas responsables.La historia del bombardeo de la maratón de Boston del 2013 y la búsqueda de personas en la ciudad para encontrar a los terroristas responsables.La historia del bombardeo de la maratón de Boston del 2013 y la búsqueda de personas en la ciudad para encontrar a los terroristas responsables.
- Premios
- 2 premios ganados y 3 nominaciones en total
Chris O'Shea
- Patrick Downes
- (as Christopher O'Shea)
Sang-bae Kim
- MIT Professor
- (as Sangbae Kim)
Ping Ping Yang
- Meng's Mom
- (as Pin Pin Yang)
Argumento
¿Sabías que…?
- TriviaThe Military Police in the movie are real-life MPs from the Massachusetts National Guard. Some of them had responded in the week following the attack.
- ErroresWhen Dzhokhar is surrendering at the boat, a step ladder leaning against the boat goes from horizontal to vertical between cuts.
- Citas
Sergeant John MacLellan: Welcome to Watertown, motherfucker!
- Versiones alternativasIn the German version, the supplement at the end of the movie (where interviews with real life people are shown) was removed because it was deemed too patriotic/pathetic for Non-American viewers.
- Bandas sonorasCountry Fried
Written by Zac Brown and Wyatt Durrette
Opinión destacada
People are captivated by the extraordinary events. And people love to be entertained. So what could possibly be better than a dramatic story of extraordinary nature. Especially if it's based on real events, shows the heroism of simple people and touches the audience's sensitive patriotic spot.
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
- Semisonic
- 19 mar 2017
- Enlace permanente
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- How long is Patriots Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Patriots Day
- Locaciones de filmación
- Mason St. Malden, Massachusetts, Estados Unidos(Big firefight in street where one brother gets killed)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 31,886,361
- Fin de semana de estreno en EE. UU. y Canadá
- USD 161,306
- 25 dic 2016
- Total a nivel mundial
- USD 52,185,751
- Tiempo de ejecución2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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