Un equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muert... Leer todoUn equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muertos hace tiempo, pueden estar todavía a bordo.Un equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muertos hace tiempo, pueden estar todavía a bordo.
- Premios
- 1 nominación en total
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Pifias(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Créditos adicionalesThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Versiones alternativasThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- ConexionesFeatured in Around the bend - A la vuelta de la esquina (2004)
- Banda sonoraSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
Reseña destacada
Sean Murphy and his crew are the top salvage experts in the land (well, sea). They have just completed one big job when a pilot, Jack Ferriman, comes tot them with a ship that he has spotted in remote, international waters. It hasn't responded to distress signals and it seems fair game if Murphy will give Jack a cut and let him come along. Murphy accepts and they set off. The fact that the ship doesn't show up on radar doesn't ring any alarm bells with the crew, who board the ship to find a deserted vessel ripe for the pickings. However she has sustained damage and has days before she will sink forever. Diver Maureen spotted a young girl on board is only the first of several strange things to occur and soon the crew find themselves in deeper than they planned.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
- bob the moo
- 4 jul 2006
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Ghost ship: Vaixell fantasma
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 30.113.491 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.503.423 US$
- 27 oct 2002
- Recaudación en todo el mundo
- 68.349.884 US$
- Duración1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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