Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.
- Nominado para 2 premios Óscar
- 11 premios y 14 nominaciones en total
- Ticket Taker
- (as Gary Klar)
Argumento
¿Sabías que...?
- CuriosidadesAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- PifiasBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citas
Young Josh, Billy: The space goes down, down baby, down, down the roller coaster. Sweet, sweet baby, sweet, sweet, don't let me go. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. I met a girlfriend - a triscuit. She said, a triscuit - a biscuit. Ice cream, soda pop, vanilla on the top. Ooh, Shelly's out, walking down the street, ten times a week. I read it. I said it. I stole my momma's credit. I'm cool. I'm hot. Sock me in the stomach three more times.
- Versiones alternativasThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConexionesEdited into 5 Second Movies: Big (2008)
- Banda sonoraThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.
It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.
Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.
I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.
As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
- toffeefan
- 11 ago 2002
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Quisiera ser grande
- Localizaciones del rodaje
- Rye Playland, Rye, Nueva York, Estados Unidos(where Josh finds Zoltar at the end of the film)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 115.227.281 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.216.190 US$
- 5 jun 1988
- Recaudación en todo el mundo
- 151.927.281 US$
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1