El mundo en guerra

My wife and I have watched this whole series at least three times. I can't imagine how it could be better. This isn't the "complete" history of WWII—no library could hold such a history—but it is the best summary of that history. Lots of detail, lots of personal stories, and still keeps the overall picture in view.

Olivier's narration is excellently written and, of course, superbly given. The interviews are from all sides, except the Russian, because the producers were not allowed to talk to many Russians. It is very much worth owning this complete program on DVD. We treasure our copy.

The producer's do an excellent job of providing pictures and action where there was almost none extant in any archive: There are almost no films of convoys and submarine battles, for instance, but still, the episode on this subject is very well done.

Although too young to remember the first showing of the series (being just a baby) I later caught repeats of it on television in the late 80's, just when I was getting interested in the war and all of its aspects. It was my grandfather who first showed me the series and also gave me my first interests, relating tales of his time in the Royal Navy at Malta and later in the Pacific. Since then I have devoured many books and seen many television series about the World War Two era, with mixed opinions. The British television stations are generally very good at producing these, as The World At War can easily attest, with many gems made by both the BBC and independent companies. I strongly recommend such titles as "The Nazis - A warning From History", "Blitz" and the BBC series about Dunkirk. "Britain At War In Colour", with its companion series "Japan", "Germany" and "America" are of a very high standard. The World At War is by far the best and, despite its age, never fails to deliver. There will always be new revelations about the war that will keep cropping up that obviously aren't included in the series and of course World War Two took place over such a large canvas that to produce a series with EVERY detail would take more time and money then any other, even if such an undertaking was even possible. What I feel I must say to those who decry that it does not include everything is that The World At War can't physically do that as a series but it sure as heck can prompt you to do further research - and make it enjoyable. That certainly worked for me: I now have a very comprehensive library of books, videos, DVDs and tapes and CDs. Recommend to anyone with even a passing interest. The series was so well made that they'd find it hard not to agree that it is quality programming and highly informative.

Theo Robertson has commented that WAW didn't adequately cover the conditions after WWI which lead to Hitler's rise and WWII.

Perhaps he missed the first ONE and a quarter HOURS of volume 8? Covers this period, and together with the earlier volumes in the series, shows clearly the existing conditions, I feel. A friend of mine grew up in Germany during this period, joined the Hitler Youth even, and his experiences were very similar to that mentioned in WAW.

This documentary is SO far above the History Channel's documentaries I also own, that there is no comparison.

The ONLY fault, and it is a small one, that I have with WAW is this: the numbers are not included, many times. For instance, if you're talking about lend-lease, then how much war material was lent/leased? How much to Russia, how much to Britian? How many merchant ships did the U-Boats sink, and when? How many ships did the German or Japanese Navy have, total, in 1941? What type were they? How many troops? How many troops did the allies have, in total, and by country? Lots of numbers could have made a lot of viewers nod off, but I would have preferred MORE! And naturally, I always want to see more military analysis. Like WHY didn't Patton & Clark trap the German army that was at Cassini, after they had it surrounded, instead of racing Monty to Rome, and letting it escape? I don't think you can begin to understand war until you've seen some of these video segments on "total war", like the fire bombing of Dresden. It's like trying to understand Auschwitz, etc., before you see the clips of the death camps: you just can't wrap your head around it - it's too unbelievable.

Unknown at that time, and of course, unfilmed, were the most egregious cruelties and inhumanities of the Japanese, including cannibalism, (read "Flyboys"), and some LIVE vivisection of medical "experimentation" prisoners, w/o any anesthetic!

Dave

This series, produced at probably the most propitious time following the events of the second World War, is on a scale of value that stands far above any individual's presumption to criticize.

The timing of World at War's production in 1974, amounting to some three decades after the events of the war, permits an accurate relating of events in a manner uncoloured by residual propaganda and slant. The passage of thirty years allows the telling to be backed up by an impressive and fascinating panoply of the very individuals involved, ranging from some of the highest military and political figures down to the field soldiers, civilians, and such survivors of the death camps as have remained to bear witness to the unimaginable inhumanities of which civilized humans are capable. Most approaching or well into their senior years, the interviewed subjects have had enough time to reflect on their experiences and in most instances have had enough time for whatever propaganda and fervor may have affected them in the past to have receded away, leaving only the memories of what they saw and what they did.

The information that these survivors give, strikingly reinforced by the postures and expressions they display while telling their part, give their stories all the more impact. Such names as Ira Eaker, Adolph Galland, Louis Mountbatten, Albert Speer, Gertrude Junge (Hitler's personal secretary)... the list is far too long to relate.

Today, within the lifetime of the survivors of this enormous lesson in the hideous price of political ambition, are young people who chant the same sort of militaristic and nationalistic war promotion as led to WW2. The DVD series we discuss here ought to comprise the core of a mandatory history subject in schools, that the lessons bought at such a horrible cost in those days should not have been wasted but should be taken to heart by those who did not see firsthand the terrible price.

I am almost done watching the 11 disk set, having seen most of the series when a local TV channel aired it more than 10 years ago. It has lost none of its poignancy to me, indeed has become even more of a magnificent chronicle of some of the very darkest days of human times.

The highest possible rating seems unworthy of being applied to this presentation. I think the value of this series is beyond counting.

i watched this series when it first came out in the 70s.i was 14 years old and i watched it at my best friends house as my dad didn't want to watch it.it became a weekly ritual every Sunday, and as anyone will tell you for two fourteen year olds to watch a documentary in almost reverential silence must mean that this was something special.

the broad sweep of the events of world war 2 makes for a difficult subject to document.so the makers broke it down into what they considered to be the most significant key happenings and devoted one episode to each.some episodes covered long periods such as 'wolf pack' which covered nearly all six years of the battle of the Atlantic.while the battle of Stalingrad had one episode to itself.

this documentary could not be made today quite simply because most of those interviewed are dead.the list of significant players appearing gives an amazing insight into the thinking at the time.Anthony eden the foreign secretary,Carl donnitz,head of the u-boats,Albert speer,pet architect confident and later armament minister for Hitler.in one of the later episodes we see traudl junge, Hitler's secretary,who was with him in the bunker and it was to her that he dictated his last will and testament-she left the bunker after Hitler's suicide and escaped through the Russian lines.these and many others play a major role in the realism of the events portrayed.

if i have any criticism of the series it is that the code-breakers of bletchly park are not included but the revelations of their part in the war only emerged after the series had been made so i cannot blame the programme makers.

the opening titles and music are magnificent,and Lawrence Olivier's narration lends a natural gravity to the script.

the best documentary series ever made? without doubt.unmissable