Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.
- Ganó 2 premios Óscar
- 21 premios y 33 nominaciones en total
Laurence Fishburne
- Clean
- (as Larry Fishburne)
Argumento
¿Sabías que...?
- CuriosidadesMore than a year had passed between the filming of Willard and Chef searching the jungle for mangoes and encountering the tiger, and the immediately following shots (part of the same scene) of Chef clambering back onto the boat, ripping off his shirt and screaming.
- PifiasWhen Captain Willard first meets Colonel Kilgore, they exchange salutes while they are still in a combat zone. It is usually military protocol not to salute in a combat zone. Saluting would show a possible sniper who the commanding officer is. (e.g. in Forrest Gump (1994) Lt. Dan correctly instructed Gump and Bubba not to salute him in the field.)
- Créditos adicionalesThere are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film.
- Versiones alternativasThe theatrical and Redux DVDs released by Paramount Pictures and Lions Gate Studios in the United States, as well as the earlier letterbox VHS and LaserDisc releases, were re-framed in DP Vittorio Storaro's preferred 2.00:1 "Univision" format. The Lions Gate US Blu-ray release, however, restores the film's original 2.39:1 aspect ratio (although the packaging reads 2.35:1).
- ConexionesEdited into Apocalypse Pooh (1987)
- Banda sonoraThe End
by Jim Morrison (as The Doors), Ray Manzarek (as The Doors), Robby Krieger (as The Doors), and John Densmore (as The Doors)
Performed by The Doors
Courtesy of Elektra/Asylum Records
Reseña destacada
So just how insane is 'Apocalypse Now'? Well, let's say that it is the kind of film that makes you want to bang your head against the wall. The beginning has no credits or titles; nothing. The whole film seems like it's taking place on a different world, and as the story moves on, sanity itself is shed. There was a French plantation scene that got cut out, and an alternate ending that would have had a massive battle scene outside Kurtz's compound.
'Apocalypse Now' is not a realistic film in the sense that the presentation of the Vietnam War is far from correct: helicopters going in BEFORE the napalm strikes, a USO show in the jungle at night, and the final bridge all lit-up like a Christmas tree. (for more realistic 'Nam War movies, try 'The Deer Hunter' or 'Platoon')
But what 'Apocalypse Now' lacks in historical accuracy, it makes up in artistic and dramatic scripting. Some of the best photography and lighting ever can be found here.
The film also raises some severe philosophical issues, and gives us entirely new ones. When the movie begins, the war is raging around us. It is chaotic and nerve-racking, yet still rational. When we finally get to Kurtz's base, the action has died down, but rational thinking has long since been vanquished to the point of total lunacy. This shows us the truth about men of war in times of war and peace. The voyage down the river has a sense of time travel (a sense that would have been much more apparent had the French Plantation scene remained.) And when you get to the end, keep in mind the old phrase: The King is dead... Long live the king.
Is Kurtz insane? Or are we not yet ready to understand him? These questions and more are up to you as 'Apocalypse Now has no easy answers.
'Apocalypse Now' is not a realistic film in the sense that the presentation of the Vietnam War is far from correct: helicopters going in BEFORE the napalm strikes, a USO show in the jungle at night, and the final bridge all lit-up like a Christmas tree. (for more realistic 'Nam War movies, try 'The Deer Hunter' or 'Platoon')
But what 'Apocalypse Now' lacks in historical accuracy, it makes up in artistic and dramatic scripting. Some of the best photography and lighting ever can be found here.
The film also raises some severe philosophical issues, and gives us entirely new ones. When the movie begins, the war is raging around us. It is chaotic and nerve-racking, yet still rational. When we finally get to Kurtz's base, the action has died down, but rational thinking has long since been vanquished to the point of total lunacy. This shows us the truth about men of war in times of war and peace. The voyage down the river has a sense of time travel (a sense that would have been much more apparent had the French Plantation scene remained.) And when you get to the end, keep in mind the old phrase: The King is dead... Long live the king.
Is Kurtz insane? Or are we not yet ready to understand him? These questions and more are up to you as 'Apocalypse Now has no easy answers.
- The Claw
- 19 abr 1999
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Apocalipsis ahora
- Localizaciones del rodaje
- Baler Bay, Baler, Aurora, Filipinas(beach with soldiers surfing)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 31.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 96.042.913 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 118.558 US$
- 19 ago 1979
- Recaudación en todo el mundo
- 105.086.099 US$
- Duración2 horas 27 minutos
- Relación de aspecto
- 2.39 : 1
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What is the streaming release date of Apocalypse Now (1979) in Canada?
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