Un pequeño grupo de soldados estadounidenses encuentra el horror tras las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra el horror tras las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra el horror tras las líneas enemigas en la víspera del Día D.
- Premios
- 2 premios y 7 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- PifiasOne of the soldiers uses the term klicks for kilometer. Klicks was not used during WW2 and was not a common term until the Viet Nam War.
- Versiones alternativasAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConexionesFeatured in Projector: Overlord (2018)
- Banda sonoraBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Reseña destacada
It is always difficult to give a damn about characters who sideline basic common sense for impulsive & mind-numbingly stupid action, and then find themselves in all sorts of trouble for which they are solely responsible. The premise of zombies in World War II setting may sound outlandish but it was also feasible, that is until the writers decided to fill the story with characters as brainless as the undead.
The story of Overlord follows a small group of American soldiers behind enemy lines whose mission is to destroy a radio tower in order to ensure the success of Allied invasion the next day. But their mission turns into a horrifying nightmare when they learn about the secret human experiments that the Nazis have been carrying out on the town's residents, and must act before the pandemic spreads.
Directed by Julius Avery, the film isn't subtle at all in telling the viewers where the inspiration for numerous moments come from, and is an unabashedly silly, pulpy & gleeful gorefest that may delight B-movie fanatics. Not one character is penned down properly, the rookie protagonist being the worst scripted of them all, and so we are never invested in them and keep a safe distance from the horror they later find themselves in.
And with terrible characters come terrible performances. Wyatt Russell's character is the only one with any presence of mind but even he discards it later so as to not feel being left out. The incompetent rookie keeps making moronic choices for the entirety of the story, and his idiocy rubs off on everyone around him. The crimson violence, gore & bloodshed is present in good amount yet the film never goes full tilt with it the way zombie films tend to.
Maybe every single complaint I have regarding Overlord is a deliberate choice by the filmmakers. Maybe it's supposed to be this absurd, outrageous & preposterous war horror parody filled with witless characters that just throws everything at the wall, hoping that audience will find some of it interesting & amusing. Either way, I have low tolerance for these shtick treatments, and even more so when within the laughable premise lies a potentially intense, gripping & solid horror flick.
The story of Overlord follows a small group of American soldiers behind enemy lines whose mission is to destroy a radio tower in order to ensure the success of Allied invasion the next day. But their mission turns into a horrifying nightmare when they learn about the secret human experiments that the Nazis have been carrying out on the town's residents, and must act before the pandemic spreads.
Directed by Julius Avery, the film isn't subtle at all in telling the viewers where the inspiration for numerous moments come from, and is an unabashedly silly, pulpy & gleeful gorefest that may delight B-movie fanatics. Not one character is penned down properly, the rookie protagonist being the worst scripted of them all, and so we are never invested in them and keep a safe distance from the horror they later find themselves in.
And with terrible characters come terrible performances. Wyatt Russell's character is the only one with any presence of mind but even he discards it later so as to not feel being left out. The incompetent rookie keeps making moronic choices for the entirety of the story, and his idiocy rubs off on everyone around him. The crimson violence, gore & bloodshed is present in good amount yet the film never goes full tilt with it the way zombie films tend to.
Maybe every single complaint I have regarding Overlord is a deliberate choice by the filmmakers. Maybe it's supposed to be this absurd, outrageous & preposterous war horror parody filled with witless characters that just throws everything at the wall, hoping that audience will find some of it interesting & amusing. Either way, I have low tolerance for these shtick treatments, and even more so when within the laughable premise lies a potentially intense, gripping & solid horror flick.
- CinemaClown
- 8 feb 2019
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Operación Overlord
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 38.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 21.704.844 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.202.108 US$
- 11 nov 2018
- Recaudación en todo el mundo
- 41.657.844 US$
- Duración1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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