Had heard nothing but amazing things about 'Better Call Saul' (with nothing bad), with it being one of the most highly regarded shows in recent years. Am a huge fan of 'Breaking Bad', so was really psyched in seeing its prequel 'Better Call Saul' too. My opinion of Bob Odenkirk is also very high, so there was absolutely no way this was going to be missed. Have binged on many shows in the past seven years or so and was determined for this to be one of them, very like 'Breaking Bad'.
'Better Call Saul' was every bit as amazing as reputed. Have seen many shows that started off wonderfully but declined badly in their final seasons, a few with really bad last episodes ('House of Cards', 'Game of Thrones', 'Killing Eve'), but then there are rarities like 'Breaking Bad' where every season was at least positively received and on the most part universally acclaimed. 'Better Call Saul' is another one of the rarities and is the first show seen in a long time to not have a bad episode in it, since 'Breaking Bad'. Seriously compelling and addictive stuff and exceptional in every area.
Visually, 'Better Call Saul' is one of those shows that is both stylish and beautiful, with photography and editing that are cinematic quality and put a lot of films today to shame, where there are a lot of visually beautiful ones but also some painfully amateurish looking ones. The music always has the appropriate mood, never too intrusive, never too muted.
The writing for 'Better Call Saul' is a fine example to all shows of how to have a lot of style but also to have a lot of substance. The dialogue throughout is thought-provoking and tense, although quite talky, while also have a darkly wicked sense of humour and heart-tugging pathos. The stories are texturally rich, intimate, tense and layered, with the pace of them consistently deliberate but taut. The pull no punches and gritty approach to the subject was often chilling and harrowing to watch. The direction couldn't be better.
Likewise with the acting, with Odenkirk on absolutely towering form throughout as one of television's most fascinating and meatiest leading characters, one that one is repulsed by but also one that is not hard to sympathise with in some situations. Rhea Seehorn and Michael McKean are excellent as well, McKean giving one of his best work in years. The character writing is rich and compellingly real.
Concluding, truly outstanding show. 10/10.
