Im viktorianischen London untersucht ein besorgter hellseherischer Polizist die Morde an Jack the Ripper.Im viktorianischen London untersucht ein besorgter hellseherischer Polizist die Morde an Jack the Ripper.Im viktorianischen London untersucht ein besorgter hellseherischer Polizist die Morde an Jack the Ripper.
- Auszeichnungen
- 15 Nominierungen
Handlung
WUSSTEST DU SCHON:
- WissenswertesGreat care was taken to accurately reproduce the actual sites of the "Ripper" murders. Illustrations and actual photographs from 1888 were used. Similar care was used to reproduce the wounds inflicted upon the Ripper's victims.
- Patzer(at around 30 mins) In 1888, a bottle of laudanum would not have been labeled as poison, as it was a popular, socially acceptable, and inexpensive painkiller and sedative at the time.
- Zitate
Sir William Gull: One day men will look back and say that I gave birth to the twentieth century.
Abberline: You're not going to see the twentieth century.
- Crazy CreditsThanks to the Megerdichian family
- Alternative VersionenThree endings were filmed: one where Abberline dies of a drug overdose in London, one where he travels to the Far East and dies of an overdose in an Opium Den and one where he sneaks off to be with Mary.
- VerbindungenFeatured in HBO First Look: A View from Hell (2001)
- SoundtracksDuke Street
Written by John Hatton
Ausgewählte Rezension
30 Second Bottom Line: The infamous Jack the Ripper serial killer mystery unfolds in Victorian England as a stylistic who dun it.
From Hell is an exciting murder mystery with a number of hints about who dun it to keep things interesting every step of the way. Depp gives his expected, outstanding and other worldly performance. Ian Holm, Katrin Cartlidge, Robbie Coltrane and Ian Richardson and some of the unnamed prostitutes give the film an edge that takes us back a century in time. Heather Graham is OK and I'm pleased to see her doing something beyond Say it Isn't So and more along the lines of Sidewalks of New York. She is, however, a little too pretty, sophisticated, charming and clean for a street ho. Katrin Cartlidge would have been a better Mary. It's a little bit of a stretch to envision the Inspector and the whore Mary falling in love, but stranger things have happened.
It's always gratifying to see actors, writers and directors grow; and certainly the Hughes Brothers are doing that. They have not made a lot of films but each one is very good. The two could be a Stanley Kubrick in the making, as he only made 13 films during a long, respected and controversial career. Since 1993, they've made Menace II Society, Dead Presidents and American Pimp. From Hell is more sophisticated while still retaining a dark tone that is not depressing. Peter Deming as cinematographer has outdone himself with From Hell and Mulholland Drive. It's clearly Oscar caliber work.
Although From Hell is based on a comprehensive novel of the same name by Alan Moore and Eddie Campbell, with the focus on a real killer in 1888, the film is not trying to be a JFK and convince us how it really happened. That said, when you realize who the killer is you are faced with an interesting hypothesis.
Jack the Ripper may have been crazy, but he was acting out of logic (his own to be sure) and for a reason other than wanting to kill a few prostitutes. The fog in London finally is lifted on the murder mystery and on the Hughes Brothers being great directors.
Message on the movie: We can't always have what we want from life. Evil exists. Victorian England was a very unpleasant place and era.
So the conclusion is that this movie is a fair movie althouht actually it hadn't got a very clear ending, it is fantastic thriller to watch and remember don't miss this one.
From Hell is an exciting murder mystery with a number of hints about who dun it to keep things interesting every step of the way. Depp gives his expected, outstanding and other worldly performance. Ian Holm, Katrin Cartlidge, Robbie Coltrane and Ian Richardson and some of the unnamed prostitutes give the film an edge that takes us back a century in time. Heather Graham is OK and I'm pleased to see her doing something beyond Say it Isn't So and more along the lines of Sidewalks of New York. She is, however, a little too pretty, sophisticated, charming and clean for a street ho. Katrin Cartlidge would have been a better Mary. It's a little bit of a stretch to envision the Inspector and the whore Mary falling in love, but stranger things have happened.
It's always gratifying to see actors, writers and directors grow; and certainly the Hughes Brothers are doing that. They have not made a lot of films but each one is very good. The two could be a Stanley Kubrick in the making, as he only made 13 films during a long, respected and controversial career. Since 1993, they've made Menace II Society, Dead Presidents and American Pimp. From Hell is more sophisticated while still retaining a dark tone that is not depressing. Peter Deming as cinematographer has outdone himself with From Hell and Mulholland Drive. It's clearly Oscar caliber work.
Although From Hell is based on a comprehensive novel of the same name by Alan Moore and Eddie Campbell, with the focus on a real killer in 1888, the film is not trying to be a JFK and convince us how it really happened. That said, when you realize who the killer is you are faced with an interesting hypothesis.
Jack the Ripper may have been crazy, but he was acting out of logic (his own to be sure) and for a reason other than wanting to kill a few prostitutes. The fog in London finally is lifted on the murder mystery and on the Hughes Brothers being great directors.
Message on the movie: We can't always have what we want from life. Evil exists. Victorian England was a very unpleasant place and era.
So the conclusion is that this movie is a fair movie althouht actually it hadn't got a very clear ending, it is fantastic thriller to watch and remember don't miss this one.
- kevin_blaze
- 6. Jan. 2002
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Desde el infierno
- Drehorte
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Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.602.566 $
- Eröffnungswochenende in den USA und in Kanada
- 11.014.818 $
- 21. Okt. 2001
- Weltweiter Bruttoertrag
- 74.558.115 $
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