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6,2/10
2803
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Füge eine Handlung in deiner Sprache hinzuA war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He encounters a web of deception an... Alles lesenA war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He encounters a web of deception and paranoia that seems to be impenetrable.A war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He encounters a web of deception and paranoia that seems to be impenetrable.
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I'm surprised that this movie has not got more attention on the IMDb, of course it's dated which might be the problem. Another problem is that the film print comes across as dreary and dull, I don't know if it was a deliberate attempt by the film makers to do this but it just makes it harder to watch. It's not a young cast, on the contrary it's an old looking cast, although a fine collection of British character actors (some who are no longer with us) of a bygone age. In addition unless you are interested in British political culture, history and the antics of the cold war you will find this hard going even if you are a Michael Caine fan .There is a lot of dialog and the story line is a little confusing at times.
However, in the light of recent events, Britain always going along with the USA, the Butler report on Britains reason for war in Iraq and the apparent suicide of UN weapons inspector David Kelly a critic and skeptic of the US and Britains claim of Iraqi WMD programs, as well as recent accusations that Harold Wilsons Govt in the 1970's was to be overthrown in favor of a military government either at the bequest of the US or at least with their blessing;I thought that it might have aroused more interest.
This movie was released in 1986 ironically at the time when the cold war was winding down but the fictional events depicted in this film were surly inspired by the Anthony Blunt scandal, the Jeffrey Prime case at GCHQ ( a British intelligence listening post), as well as the Thatcher government banning trade union activity at GCHQ on the grounds of national security. The film depicts skepticism about Britains so called independent nuclear deterrent which totally relied on US authorization, the inequities in the so called "special relationship" and CIA/MI6 meddling in British politics. Also, bugging, internal spying on British citizens, lack of intelligence service oversight, secrecy and lastly hypocrisy or double standard when dealing with moles and traitors. All in all a Guardian readers 'wet dream'.
The conventional thinking was that all Soviet sympathizers and potential traitors were from the working class. Well the problem was they were not. Many top members of the British establishment working in the civil service and the intelligence services who had access to sensitive information loathed the USA and that the Suez fiasco back in 1956 was a turning point for many of them. Although It has to be said that many British double agents and soviet moles were not just motivated by that but were recruited as far back as the 1930's. Many students from in the "Oxbridge" University systems who were Britains best and brightest destined for great things were motivated by their hatred of the Nazi/fascism passed secrets onto the USSR during WWW II and well into the cold war. Suez may have vindicated their beliefs.
The movie implies that the if you were from the respected establishment or of a certain class of person the 'official secrets act' did not apply to you. You would be spared the indignity of a public trial and the humiliation of exposure, however it was a two edged sword because it cut both ways. It would also cause too many red faces at the top as well as creating difficulties in the 'special relationship'. They would leave you alone to continue with all the perks provided you kept quiet and cooperated with the powers that be. On the other hand lower down the food chain you were not so fortunate. Not only were you likely to be prosecuted through the normal channels but if you were really unlucky you might end up being a victim of a CIA death squad who quietly knock off suspected whistle blowers and possible troublemakers rather than go through a costly and public trial.
As for the film itself there is good cast all round and many of the characters are very believable in their respective roles. Frank Jones (Michael Caine) is not fobbed off by an sweetheart investigation into his sons death which concludes suicide. While conducting his own investigation, he discovers irregularities and soon suspects a cover up, but worse that his own countries security services might be involved in his sons death after all. Jones a lifetime committed patriot and former navy man he is shocked to learn of the lengths that the British establishment go to protect one of their own despite their treachery at the expense of less mortals! I highly recommend this movie, check it out!
However, in the light of recent events, Britain always going along with the USA, the Butler report on Britains reason for war in Iraq and the apparent suicide of UN weapons inspector David Kelly a critic and skeptic of the US and Britains claim of Iraqi WMD programs, as well as recent accusations that Harold Wilsons Govt in the 1970's was to be overthrown in favor of a military government either at the bequest of the US or at least with their blessing;I thought that it might have aroused more interest.
This movie was released in 1986 ironically at the time when the cold war was winding down but the fictional events depicted in this film were surly inspired by the Anthony Blunt scandal, the Jeffrey Prime case at GCHQ ( a British intelligence listening post), as well as the Thatcher government banning trade union activity at GCHQ on the grounds of national security. The film depicts skepticism about Britains so called independent nuclear deterrent which totally relied on US authorization, the inequities in the so called "special relationship" and CIA/MI6 meddling in British politics. Also, bugging, internal spying on British citizens, lack of intelligence service oversight, secrecy and lastly hypocrisy or double standard when dealing with moles and traitors. All in all a Guardian readers 'wet dream'.
The conventional thinking was that all Soviet sympathizers and potential traitors were from the working class. Well the problem was they were not. Many top members of the British establishment working in the civil service and the intelligence services who had access to sensitive information loathed the USA and that the Suez fiasco back in 1956 was a turning point for many of them. Although It has to be said that many British double agents and soviet moles were not just motivated by that but were recruited as far back as the 1930's. Many students from in the "Oxbridge" University systems who were Britains best and brightest destined for great things were motivated by their hatred of the Nazi/fascism passed secrets onto the USSR during WWW II and well into the cold war. Suez may have vindicated their beliefs.
The movie implies that the if you were from the respected establishment or of a certain class of person the 'official secrets act' did not apply to you. You would be spared the indignity of a public trial and the humiliation of exposure, however it was a two edged sword because it cut both ways. It would also cause too many red faces at the top as well as creating difficulties in the 'special relationship'. They would leave you alone to continue with all the perks provided you kept quiet and cooperated with the powers that be. On the other hand lower down the food chain you were not so fortunate. Not only were you likely to be prosecuted through the normal channels but if you were really unlucky you might end up being a victim of a CIA death squad who quietly knock off suspected whistle blowers and possible troublemakers rather than go through a costly and public trial.
As for the film itself there is good cast all round and many of the characters are very believable in their respective roles. Frank Jones (Michael Caine) is not fobbed off by an sweetheart investigation into his sons death which concludes suicide. While conducting his own investigation, he discovers irregularities and soon suspects a cover up, but worse that his own countries security services might be involved in his sons death after all. Jones a lifetime committed patriot and former navy man he is shocked to learn of the lengths that the British establishment go to protect one of their own despite their treachery at the expense of less mortals! I highly recommend this movie, check it out!
The dreary plot in this film is made overly complicated by bad directing and poor editing. Caine, Fox, Gielgud and Havers have all been in much better films. Don't do as I did and watch this on the strength of the cast - they don't deliver, and if even they had it would not have rescued the trudging script of this thrill-less thriller. 3/10
"I still believe the man in the white hat always wins," Bob Jones (Nigel Havers) tells his father (Michael Caine). They'll both have reason to doubt that later on.
Caine plays Frank Jones, a man whose son works as a linguist at GCHQ. A mole for the Russians has been discovered, and since then, Bob Jones has become suspicious that something strange is going on, especially after there are a couple of "suicides." He confides in his father, who is concerned that Bob keep his job in a difficult economy, especially since he wants to marry a young woman with a child. She's in the process of getting a divorce.
When something happens to Bob, Frank tries to get to the bottom of it and learns some ugly truths, particularly when a journalist he is on his way to see meets with an unhappy end.
Michael Caine gives an excellent, touching performance as a man trying to make things right, and Nigel Havers is wonderful as his son. There are spot-on performances by James Fox, John Gielgud, Barry Foster, and Gordon Jackson in his final film.
Very good film, perhaps a bit dated now, with the British trying to keep the Americans as happy allies, and it doesn't give any final or easy answers. The novel was written in 1984, and this film was released in 1987.
A Brit on this board referred to this as a "Michael Caine filler" - I guess he has made a ton of films, but he's always worth seeing.
Caine plays Frank Jones, a man whose son works as a linguist at GCHQ. A mole for the Russians has been discovered, and since then, Bob Jones has become suspicious that something strange is going on, especially after there are a couple of "suicides." He confides in his father, who is concerned that Bob keep his job in a difficult economy, especially since he wants to marry a young woman with a child. She's in the process of getting a divorce.
When something happens to Bob, Frank tries to get to the bottom of it and learns some ugly truths, particularly when a journalist he is on his way to see meets with an unhappy end.
Michael Caine gives an excellent, touching performance as a man trying to make things right, and Nigel Havers is wonderful as his son. There are spot-on performances by James Fox, John Gielgud, Barry Foster, and Gordon Jackson in his final film.
Very good film, perhaps a bit dated now, with the British trying to keep the Americans as happy allies, and it doesn't give any final or easy answers. The novel was written in 1984, and this film was released in 1987.
A Brit on this board referred to this as a "Michael Caine filler" - I guess he has made a ton of films, but he's always worth seeing.
I notice that Netflix has this film listed under "Thrillers." It's not a thriller, but rather a fairly complex drama about what happens when people who are schooled not to trust anyone have almost unlimited power with no accountability. There's never a "stupid moment" in this film that reveals to us, the audience, or to Michael Caine as the protagonist, who the bad guys are or what they've done. We have to peel the layers off the onion along with Michael Caine. There is no James Bond ending in which the bad guys' island explodes and collapses into the sea. Instead, there is a real world ending tailored for adults. I liked the film.
The Whistle Blower tells a story which is likely to be obsolete nowadays. The end of the cold war rendered stories of this nature difficult to perceive but was written at a time when relations between the US and USSR were strained and scandals were rife in British Intelligence and at GCHQ.
The film tells the story of a jittery secret service heavily reliant on American information to help keep the soviets at bay. It demonstrates how the service would have reacted to the allegation that there were soviet agents within organisations such as GCHQ and how they may have been dealt with. The eventual reasoning is cruel and cold and leaves the watcher wondering if events like this really did take place at the time.
The Whistle Blower tells a good story which is easy to follow and comprehend. It is bolstered by a good cast but let down by poor direction making it staid in places.
The film tells the story of a jittery secret service heavily reliant on American information to help keep the soviets at bay. It demonstrates how the service would have reacted to the allegation that there were soviet agents within organisations such as GCHQ and how they may have been dealt with. The eventual reasoning is cruel and cold and leaves the watcher wondering if events like this really did take place at the time.
The Whistle Blower tells a good story which is easy to follow and comprehend. It is bolstered by a good cast but let down by poor direction making it staid in places.
Wusstest du schon
- WissenswertesThis was the only theatrical movie directed by Simon Langton.
- PatzerFrank Jones had served in the Royal Navy for 12 years, but was wearing a Long Service and Good Conduct Medal; awarded for fifteen years' exemplary service. And the medal being worn was not that of the Royal Navy, but of the British Army.
- SoundtracksIt's A Long Way To Tipperary
Written by Jack Judge and Harry Williams (uncredited)
[Played by marching band at Remembrance Day Parade]
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.500.000 $
- Eröffnungswochenende in den USA und in Kanada
- 30.035 $
- 12. Juli 1987
- Weltweiter Bruttoertrag
- 1.500.000 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Kreuzfeuer der Agenten (1986) officially released in India in English?
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