(On landing his role in Matewan) That was my first feature film, but it came in kind of an interesting way. My wife [Marianne] was also an actor. When we were living in New York, she answered a backstage ad for an NYU student's film, and that turned out to be Nancy Savoca. So Marianne did Nancy's half-hour junior black-and-white piece. Then she and Nancy and Rich, Nancy's husband-we all four became real good friends from that experience. Then Nancy worked on Brother From Another Planet when John [Sayles] was shooting that. And she was aware that John beforehand had lost financing. He wanted to do Matewan, but lost the financing, so he went on to do Brother From Another Planet. So Nancy gave John my name, and said, "When the time comes for Matewan, take a look at this guy." So that's kind of how that came about. It was an audition in midtown. I went up and read a couple of scenes. And then some months passed. I went to London to do a West End production with Harold Pinter-it was a Tennessee Williams play, Sweet Bird Of Youth, directed by Harold Pinter and starring Lauren Bacall. So in the seven months that I was over in England, news came. I got a callback to read some more scenes. So we did the Sunday matinée, and I had to get on a plane, fly to the States, do the audition, get back on the plane, fly back for Tuesday night's performance. I had virtually noooo sleep. I was really on a high just in anticipation of the audition. And then during that Tuesday-night performance, I came really, really close to fainting onstage because I was so tuckered.
