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A controlling, manipulative father locks his three adult offsprings in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.

Stuck in her boring factory town, twenty-three-year-old Marina is at the mercy of both her father's impending death and her distaste for other humans.

Amidst a worldwide pandemic that causes sudden amnesia, middle-aged Aris finds himself enrolled in a recovery program designed to help unclaimed patients build new identities.

A veteran late-night radio announcer has a show on the night he turns fifty. Realizing with embarrassment that he is no longer one of the young, he unravels his life and searches for an unrequited love.

Petros is an archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Evil 2 picks up right where the original left off and explains where the "evil" came from originally. Meletis, Marina, Jenny, and Vakirtzis are still on the run from the endless horde of undead that are devouring all of Greece. As it turns out; this is not the first time that "the evil" has taken over Greece and as before, a "messenger from the gods (Billy Zane)" has come to Earth to find "the heroes" who will defeat the evil and save the world.

The gods don't like humans forcing the hand of fate. When Jo turns up in Greece with her sons even though she knows that the festival she founded has been cancelled because of the recession, when she squats a house because accommodation is no longer provided for her, when she forces the mayor to put on a "little" show all the same, the gods punish her: her sons sulk, the show degenerates and her grandson sleeps with a village girl. They are all hounded out and it's the end of a period in her life that she was clinging to.

Four bankrupt gravediggers organize their final funeral that will give them the opportunity to change their lives by leaving the profession - which they originally started out as a temporary gainful solution, but stayed in this for life.

Five different pairs of ordinary people get trapped in five immobilized elevators. The compulsory contact between them brings to the surface true emotions and reveals a well-hidden, until then, self. Hell in 4 m3. War begins.

Every July 31st, Mrs. Irene and the other remaining "fifteeners" return to the obsolete Monastery of the Accession, on the island of Therasia, the little know twin sister of cosmopolitan Santorini. For fifteen days they stay at the empty cells of the Monastery, preparing it for the celebration of the Accession and praying for eternal rest of their beloved ones. In between they recall past glories of the tradition of "Fifteen" while gazing at the touristic traffic across Santorini's volcanic bay. ACROSS HER BODY questions issues of faith, identity and gender by correlating three distinct bodies: the "unspoiled" body of the Virgin Mary, the deserted body of the once upon a time fertile Therasia and the aging female bodies of the fifteeners. It's an homage to an archetype of Greek motherhood that was common place in the post war society and is becoming obsolete in modern Greece.

A man. A woman. In a car. Fastened. Immobile. Blood. Silence.

Modris, a 17-year-old, is like many teenagers in his small town. He has developed an addiction to gambling and is frequently in trouble. As his mother turns him to the police, now he struggles to keep out of jail.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

In a country on the verge of collapse, Girly and Stamatis, a Greek-American couple are enjoying life on the island of Ikaria, known as the place where "people forget to die."

In an underground car-park, the fates of four fractured souls collide.

From Russia to Greece, the hope of a better life becomes a nightmare. The story of a victim of worldwide woman trafficking that underlines that the rescue has a relevant cost.

A day in the life of a young lawyer Antonis Spetsiotis that turns out quite unexpectedly, starting from the courts to end up in a wild scenery in the outskirts of Athens.

A lyrical documentary film, an elegy to Epirus that fades away, but also to Epirus that survives. A love song for those who stayed, for those who migrated, for its musicians and its unique nature. A journey to Giromeri, Thesprotia, during the Easter days. Through the cinematic lens, we observe the everyday life of this little village and search for the roots of a very special tradition. An attempt - contrary to the relentless digitization of our times - to keep the analog memory of the Greek countryside alive: a life memento.

Just another day with absurdist encounters, including two kids in a speedboat, two women in a convertible and two cops shooting their guns.

Stranded and abandoned by his friends, without a single soul in sight, a young man stares at the sea. Then, from the unfathomable abyss emerges an illusory Osiki. What could possibly be an "Osiki"?

Two boys and a girl prepare for nightclubbing in the heart of Athens. Arriving, they face a deserted club, where music plays blaring but there is no one to listen.