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Theo, an attractive German call boy, markets himself to other men in the personal ads of Berlin papers and leads an otherwise quiet life across the hall from Marie. Marie and Paul share an apartment that Marie pays for by working at a record store. A would-be writer, Paul spends his days sleeping or staring at the blank sheet of paper in his typewriter. After Paul leaves Marie for what he calls her "grotesque mediocrity," the protracted silence from across the hallway concerns Theo. Finally, on returning home one day, he observes that Marie's door is half open and ventures into her apartment to see if she is okay. Marie is devastated by Paul's departure and Theo takes it upon himself to coax her back to life. Strangely enough, he finds that she also awakens in him a desire for life that he had lost or given away to the countless men with whom he shares his body. When the two become intimate, Theo feels -- perhaps for the first time in a very long time -- that he is loved. Paul's untimely return signals the end of Theo's relationship with Marie and his life becomes once again a contrast of furtive rendezvous and bleak isolation.

About a trio who take shelter in a friend's apartment while he is away for awhile. One of the trio is Lola who teaches French on the side, maintains an out-of-sight hairstyle, and has a 10-year-old son. Another of the trio is a homosexual who supports himself by playing his flute on the street or reading to elderly women. The last friend in the group is Max, whose parents are sending him steady installments of cash to pay for non-existent studies; it seems Max is a writer waiting for inspiration to hit. In the meantime, he and Lola are an item. In the background is West Berlin itself, with its cafes, bars, nightclubs, and street life.