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In a remote village, two brothers find a demon-infected man just about to "give birth" to evil itself. They decide to get rid of the body, only to end up unintentionally spreading chaos.

The day before their wedding party, a couple arrives at the country house to finalize the preparations for the celebration.

The uncertain hours after a vampire hunt when it's unclear if the hunter has himself been turned into a creature of the night. Will his family find out in time, or will their sentiment make them easy prey for the novice nightwalker?

Conversations on Hatred narrates in real-time the farewell between two ill women. In this intimate and deep conversation, they discuss their views on maternity, friendship, and their ways of dealing with the disease. Débora (Cecilia Roth) is a manipulative talent agent who gradually unleashes her rage on Déborah, a serious and intellectual actress (Maricel Álvarez). A manifesto against the discrimination of the so-called toxic people; against the idea that people getting sick is their own fault and that they can get better at will; against the selling marketing and the unreal consumption of happiness and well being. A film based on the Bechdel test (a method for measuring the gender gap in movies): two women, a conversation where no one speaks of men.

A young teen who dreams of becoming an actor and takes classes, though hides his ambition from his mother.

Argentinian soccer player leaves his club for a career outside sports. During his last five matches , he struggles with the question what he will do with his life.

Mr. Arguello, school director, must take care of Cata, a 14-year-old student, injured in a lake, while waiting for her parents to arrive. During the wait the most important story of their lives will unravel.

Yineth is the woman of the seven names. Each of them shows a different way of being, a way of relating to the world, a reinvention. All the faces of Yineth today are not only in the same body, but they also agree that they all flee from a past that always finds them again. Yineth was recruited at the age of 12 by the FARC guerrillas. Today he works for the government. Yineth's story cuts across the pain of this country. The weight of putting on a camouflaged uniform again in his living room, the vanity of a city woman and a set of opposites, draws us the most human and therefore the most dangerous of this character: the contradiction that if well Yineth is a woman who runs away from her past, she is also addicted to it.

Ten Argentine Olympic athletes' journeys, overcoming challenges with unwavering determination. United by dreams, their stories showcase grit and passion as they strive for greatness, raising their nation's flag on the world stage.

The question is: How do you film a community that rejects the concept of nation, the values of modern civilization, the papacy, the army, the military service, the accumulation of wealth, and instead embraces rural work and a life of praying? We're talking about more than a simple commitment to a creed or an ideology, we're talking about accepting to be a part of a world created out of your own convictions, and eluding any coexistence with everything that's different from that. How do you film this semi-limbo that has its own notion of time and history? This seems to be the question Nikolas Klement asks himself in his first film, a documentary that goes deep into a Mennonite community in La Pampa and portrays its everyday activities. Ekyprosis never picks up the counter-shot to "the others" -this is not a documentary that plays with contrasts. Klement's interest never exceeds the limits of this settlement, and tries to capture a sense of tempo and montage, a perception of light and framing that stresses the state of extreme of physical, mental, and spiritual asceticism.