This Thanksgiving, after you've gathered around the table with family and friends for a comforting spread, we invite you to feast on these films with memorable meals.
From fast-food hamburgers to pork chops served with a dash of malice, scenes around the dining table are often among the spiciest and most satisfying cinematic fare.
Dìdi (弟弟) | McDonald’s with Mom
In Dìdi (弟弟), writer-director Sean Wang brings a joyful authenticity to his coming-of-age tale of 13-year-old Chris Wang (Izaac Wang). Living with his devoted mother (Joan Chen), older sister (Shirley Chen), and grandmother (Chang Li Hua) in Fremont, California, Chris struggles to fit in, be it on Myspace or at McDonalds. During a fast-food meal with his mom, Chris attempts to bridge his differences with his mom, even if the fact she eats a hamburger with a fork and knife appears like a bridge too far. The filmmaker told the San Francisco Examiner, “My mom did that growing up.” While Chris whines “that her habit of eating McDonald’s with a knife and fork is ‘so Asian’,” The Hollywood Reporter writes the film captures a bigger family picture, painting “her as a born artist who’s never quite let go of her creative ambitions, whose unconditional love for her children cannot entirely dispel her disappointment at how ordinary her life has turned out to be.” It’s a meal—and a movie—all can relate to. The New York Times writes, “A funny, heartfelt movie, tapping into the audience's latent memories as well as our great relief at no longer being 13.”
The Holdovers | Christmas Dinner
In director Alexander Payne and writer David Hemingson’s The Holdovers, three different people—Paul (Paul Giamatti), a cranky classics teacher; Angus (Dominic Sessa), a troublemaking student; and Mary (Da’Vine Joy Randolph), a cook whose son recently died in the Vietnam War—are left to fend for themselves in an empty boarding school during the holiday recess. Come Christmas day, the three gather a meal thrown together by Mary with what’s left in the fridge and freezer from the semester before. It's a meal which is, as The Wrap writes, “a familial dinner at the school’s dining hall, under the shadow of a hilariously sad and crooked Christmas tree [that is] as oddball as the trio it’s supposed to comfort.” Despite the left-over, warmed-up fare, the bond created by these three infuses the meal with something special, capturing, writes Entertainment Weekly, “the need to belong to something greater than oneself, the profusion of a sudden generosity in human nature, and the simple ways in which we can touch each other's lives.”
Let Him Go | Pork Chop Summit
One scene in Thomas Bezucha’s Western noir Let Him Go, which the cast and crew drolly termed “the pork chop summit,” highlights just how carnivorous a simple meal can be. After George Blackledge (Kevin Costner) and his wife Margaret (Diane Lane) drive to the Badlands of Dakota to rescue their grandson from a local clan, the family invites them to dinner. When the gang’s mom tells them, “I hope you like pork chops,” the Blackledges start to realize, as RogerEbert.com writes, “Pork chops are the weapon of choice for Blanche Weboy (Lesley Manville), the steely matriarch.” To get a taste of what was on the table in that scene, you can cook up Focus Foodie's rosemary pork chops paired with garlic mashed potatoes.
Watch Let Him Go on Apple TV or Amazon now!
Armageddon Time | Chinese Dumplings
In writer-director James Gray’s Armageddon Time, dinner time is the scene of an all-out family war. After Esther Graff (Anne Hathaway) puts a carefully prepared cooked fish on the table—after all, she teaches home economics—her son, Paul (Banks Repeta), gets up to phone in an order for dumplings from the local Chinese takeout spot. Although the film is not autobiographical, Gray strategically uses vital aspects of his own life to gild this story of growing up in Queens in the ‘80s with a tough authenticity. When asked by The Letterboxd Show if his own kids do such things, Gray admits, “They don’t. But I did. I was the worst.” Vulture writes, “By letting the picture embody his failures—by turning Armageddon Time into a self-aware look at his own limitations—the director makes that necessary connection between then and now, between the characters onscreen and us watching.”
The Beguiled | Sautéed Mushrooms
Sofia Coppola’s The Beguiled, a historical drama set in a girl’s academy during the Civil War, illustrates just how brutal dining etiquette can be for Southern ladies (who include Nicole Kidman, Kirsten Dunst, and Elle Fanning). While hunting for wild mushrooms, students discover a wounded Union soldier (Colin Farrell) just outside their gates and bring him home to recuperate as good manners would dictate. For Vox, the film’s period manners, however, mask its dark comedy where “a candlelit dinner table becomes a minefield of dramatic irony.” Indeed, Coppola told The Guardian that she was drawn to the story “to represent an exaggerated version of all the ways women were traditionally raised there just to be lovely and cater to men.” When their guest overstays his welcome and betrays their trust, the ladies respond by serving him a fateful dish of wild mushrooms.