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Numbers in places: creative interventions in musical space & time

Published: 06 September 2016 Publication History

Abstract

Ada Lovelace noted that Charles Babbage's Analytical Engine "might compose elaborate and scientific pieces of music of any degree of complexity or extent". The Numbers into Notes project, in its first phase, explored how this might have occurred nearly two centuries ago on the giant steam-powered machine using the mathematics of the time. Now we are asking what Lovelace might do today, with a microcontroller instead of the analytical engine. In our experiment, multiple devices are programmed to generate music, with creative interventions by humans to compose and influence the experience in locative sound.

References

[1]
L. F. Menabrea. 1843. Sketch of the Analytical Engine invented by Charles Babbage, Esq. In Scientific Memoirs, Selected from the Transactions of Foreign Academies of Science and Learned Societies, and from Foreign Journals (vol. 3), Richard Taylor (Ed.). Richard and John E. Taylor, London, UK.
[2]
Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems. In: Generative Arts Practice, 5-7 December 2005, Sydney, Australia.

Cited By

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  • (2018)Lovelace's LegacyProceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion10.1145/3243274.3275380(1-5)Online publication date: 12-Sep-2018
  • (2017)Audio Technology and Mobile Human Computer InteractionInternational Journal of Mobile Human Computer Interaction10.5555/3213394.32133979:4(25-40)Online publication date: 1-Oct-2017
  • (2017)Audio Technology and Mobile Human Computer InteractionInternational Journal of Mobile Human Computer Interaction10.4018/IJMHCI.20171001039:4(25-40)Online publication date: 1-Oct-2017
  • Show More Cited By

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Published In

cover image ACM Conferences
MobileHCI '16: Proceedings of the 18th International Conference on Human-Computer Interaction with Mobile Devices and Services Adjunct
September 2016
664 pages
ISBN:9781450344135
DOI:10.1145/2957265
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 06 September 2016

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Author Tags

  1. Ada Lovelace
  2. algorithmic composition
  3. analytical engine

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  • Extended-abstract

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MobileHCI '16
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Overall Acceptance Rate 202 of 906 submissions, 22%

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Cited By

View all
  • (2018)Lovelace's LegacyProceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion10.1145/3243274.3275380(1-5)Online publication date: 12-Sep-2018
  • (2017)Audio Technology and Mobile Human Computer InteractionInternational Journal of Mobile Human Computer Interaction10.5555/3213394.32133979:4(25-40)Online publication date: 1-Oct-2017
  • (2017)Audio Technology and Mobile Human Computer InteractionInternational Journal of Mobile Human Computer Interaction10.4018/IJMHCI.20171001039:4(25-40)Online publication date: 1-Oct-2017
  • (2017)Experimental Humanities: An Adventure with Lovelace and Babbage2017 IEEE 13th International Conference on e-Science (e-Science)10.1109/eScience.2017.32(194-201)Online publication date: Oct-2017

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