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The English language is famous for its large number of drunkonyms, i.e. words that can be used to refer to the state of drunkenness – from blind and hammered to pissed, smashed and wasted. Various lists of words have been compiled in the past (e.g. Levine 1981). However, most of the terms seem to be relatively infrequent, and they also appear to fall out of use relatively quickly. In view of Michael McIntyre’s (2009) claim that it is possible to use any word to mean ‘drunk’ in English, this contribution therefore approaches the issue from a constructionist perspective. In a corpus-based study, we tested whether it is possible to model the expression of drunkenness in English as a more or less schematic (set of) construction(s). Our study shows that while corpus evidence for truly creative uses is scarce, we can nonetheless identify constructional and collostructional properties shared by certain patterns that are used to express drunkenness in English. For instance, the pattern be/get + ADV + drunkonym is strongly associated with premodifying (and often strongly intensifying) adverbs such as completely, totally and absolutely. A manual analysis of a large wordlist of English drunkonyms reveals further interesting patterns that can be modelled constructionally.

The Fast Show, known as Brilliant in the US, was a BBC comedy sketch show programme that ran from 1994 to 1997, with a special in 2000 and 2014. It was one of the most popular sketch shows of the 1990s in the UK. The show's central performers were Paul Whitehouse, Charlie Higson, Simon Day, Mark Williams, John Thomson, Arabella Weir and Caroline Aherne. Other significant cast members included Paul Shearer, Rhys Thomas, Jeff Harding, Maria McErlane, Eryl Maynard, Colin McFarlane and Donna Ewin.

It was loosely structured and relied on character sketches, recurring running gags, and many catchphrases. Its fast-paced "blackout" style set it apart from traditional sketch series because of the number and relative brevity of its sketches; a typical half-hour TV sketch comedy of the period might have consisted of nine or ten major items, with contrived situations and extended setups, whereas the premiere episode of The Fast Show featured twenty-seven sketches in thirty minutes, with some items lasting less than ten seconds and none running longer than three minutes. Its innovative style and presentation influenced many later series such as Little Britain and The Catherine Tate Show.

There was no wink and they never sold it out for these half-hour, densely, beautifully produced pieces, which is, for all possibilities, obscuring that this doesn’t at all sound like a comedy show. It is all the production elements you would use in a full-scale news production. All the gravitas, but just inflated to a point that it has no gravitas whatsoever. And I think that is where it became this excitingly subversive thing because it just showed that BBC Radio 4 and everything it stood for was just a big bag of shit.