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A Canticle for Leibowitz (Bantam Spectra Book) Paperback – September 2, 1997
In the Utah desert, Brother Francis of the Albertian Order of Leibowitz has made a miraculous discovery: the relics of the martyr Isaac Leibowitz himself, including the blessed blueprint and the sacred shopping list. They may provide a bright ray of hope in a terrifying age of darkness, a time of ignorance and genetic monsters that are the unholy aftermath of the Flame Deluge. But as the spellbinding mystery at the core of this extraordinary novel unfolds, it is the search itsel—for meaning, for truth, for love—that offers hope to a humanity teetering on the edge of an abyss.
A timeless and still timely masterpiece, A Canticle for Leibowitz is a classic that ranks with Brave New World and 1984.
- Print length368 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateSeptember 2, 1997
- Dimensions5.2 x 1.1 x 8.1 inches
- ISBN-100553379267
- ISBN-13978-0553379266
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“Angry, eloquent ... a terrific story.”— The New York Times
“An extraordinary novel ... Prodigiously imaginative, richly comic, terrifyingly grim, profound both intellectually and morally, and, above all ... simply such a memorable story as to stay with the reader for years.”— Chicago Tribune
“An exciting and imaginative story ... Unconditionally recommended.”— Library Journal
From the Publisher
--Time
"Angry, eloquent...a terrific story."
--The New York Times
"An extraordinary novel...Prodigiously imaginative, richly comic, terrifyingly grim, profound both intellectually and morally, and, above all...simply such a memorable story as to stay with the reader for years."
--Chicago Tribune
"An exciting and imaginative story...Unconditionally recommended."
--Library Journal
From the Inside Flap
In the Utah desert, Brother Francis of the Albertian Order of Leibowitz has made a miraculous discovery: the relics of the martyr Isaac Leibowitz himself, including the blessed blueprint and the sacred shopping list. They may provide a bright ray of hope in a terrifying age of darkness, a time of ignorance and genetic monsters that are the unholy aftermath of the Flame Deluge. But as the spellbinding mystery at the core of this extraordinary novel unfolds, it is the search itself--for meaning, for truth, for love--that offers hope to a humanity teetering on the edge of an abyss.
A timeless and still timely masterpiece, A Canticle for Leibowitz is a classic that ranks with Brave New World and 1984.
From the Back Cover
— Time
“Angry, eloquent ... a terrific story.”
— The New York Times
“An extraordinary novel ... Prodigiously imaginative, richly comic, terrifyingly grim, profound both intellectually and morally, and, above all ... simply such a memorable story as to stay with the reader for years.”
— Chicago Tribune
“An exciting and imaginative story ... Unconditionally recommended.”
— Library Journal
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
At last he broke the hinges, and the lid fell free. Small metal tidbits bounced from trays, spilled among the rocks, some of them falling irretrievably into crevices. But, in the bottom of the box in the space beneath the trays, he beheld--papers! After a quick prayer of thanksgiving, he regathered as many of the scattered tidbits as he could, and, after loosely replacing the lid, began climbing the hill of debris toward the stairwell and the thin patch of sky, with the box hugged tightly under one arm.
The sun was blinding after the darkness of the shelter. He scarcely bothered to notice that it was sinking dangerously low in the west, but began at once to search for a flat slab on which the contents of the box could be spread for examination without risk of losing anything in the sand.
Minutes later, seated on a cracked foundation slab, he began removing the tidbits of metal and glass that filled the trays. Most of them were small tubular things with a wire whisker at each end of each tube. These, he had seen before. The abbey's small museum had a few of them, of various size, shape and color. Once he had seen a shaman of the hill-pagan people wearing a string of them as a ceremonial necklace. The hill people thought of them as "parts of the body of the god"--of the fabled Machina analytica, hailed as the wisest of their gods. By swallowing one of them, a shaman could acquire "Infallibility," they said. He certainly acquired Indisputability that way, among his own people--unless he swallowed one of the poison kind. The similar tidbits in the museum were connected together too--not in the form of a necklace, but as a complex and rather disorderly maze in the bottom of a small metal box, exhibited as: "Radio Chassis: Application Uncertain."
Inside the lid of the carrying case, a note had been glued; the glue had powdered, the ink had faded, and the paper was so darkened by rusty stains that even good handwriting would have been hard enough to read, but this was written in a hasty scrawl. He studied it intermittently while emptying the trays. It seemed to be English, of a sort, but half an hour passed before he deciphered most of the message:
CARL--
Must grab plane for [undecipherable] in twenty minutes. For God's sake, keep Em there till we know if we're at war. Please! try to get her on the alternate list for the shelter. Can't get her a seat on my plane. Don't tell her why I sent her over with this box of junk, but try to keep her there till we know [undecipherable] at worst, one of the alternates not show.
I.E.L.
P.S. I put the seal on the lock and put TOP SECRET on the lid just to keep Em from looking inside. First tool box I happened to grab. Shove it in my locker or something.
The note seemed hasty gibberish to Brother Francis, who was at the moment too excited to concentrate on any single item more than the rest. After a final sneer at the notewriter's hasty scrawl, he began the task of removing the tray-racks to get at the papers in the bottom of the box. The trays were mounted on a swinging linkage which was obviously meant to swing the trays out of the box in stair-step array, but the pins were rusted fast, and Francis found it necessary to pry them out with a short steel tool from one of the tray compartments.
When Brother Francis had removed the last tray, he touched the papers reverently: only a handful of folded documents here, and yet a treasure; for they had escaped the angry flames of the Simplification, wherein even sacred writings had curled, blackened, and withered into smoke while ignorant mobs howled and hailed it a triumph. He handled the papers as one might handle holy things, shielding them from the wind with his habit, for all were brittle and cracked from age. There was a sheaf of rough sketches and diagrams. There were hand-scribbled notes, two large folded papers, and a small book entitled Memo.
First he examined the jotted notes. They were scrawled by the same hand that had written the note glued to the lid, and the penmanship was no less abominable. Pound pastrami, said one note, can kraut, six bagels--bring home for Emma. Another reminded: Remember--pick up Form 1040, Uncle Revenue. Another was only a column of figures with a circled total from which a second amount was subtracted and finally a percentage taken, followed by the word damn! Brother Francis checked the figures; he could find no fault with the abominable penman's arithmetic, at least, although he could deduce nothing about what the quantities might represent.
Memo, he handled with special reverence, because its title was suggestive of "Memorabilia." Before opening it, he crossed himself and murmured the Blessing of Texts. But the small book proved a disappointment. He had expected printed matter, but found only a handwritten list of names, places, numbers and dates. The dates ranged through the latter part of the fifth decade, and earlier part of the sixth decade, twentieth century. Again it was affirmed!--the contents of the shelter came from the twilight period of the Age of Enlightenment. An important discovery indeed.
Of the larger folded papers, one was tightly rolled as well, and it began to fall apart when he tried to unroll it; he could make out the words RACING FORM, but nothing more. After returning it to the box for later restorative work, he turned to the second folded document; its creases were so brittle that he dared inspect only a little of it, by parting the folds slightly and peering between them.
A diagram, it seemed, but--a diagram of white lines on dark paper!
Again he felt the thrill of discovery. It was clearly a blueprint!--and there was not a single original blueprint left at the abbey, but only inked facsimiles of several such prints. The originals had faded long ago from overexposure to light. Never before had Francis seen an original, although he had seen enough handpainted reproductions to recognize it as a blueprint, which, while stained and faded, remained legible after so many centuries because of the total darkness and low humidity in the shelter. He turned the document over--and felt brief fury. What idiot had desecrated the priceless paper? Someone had sketched absentminded geometrical figures and childish cartoon faces all over the back. What thoughtless vandal--
The anger passed after a moment's reflection. At the time of the deed, blueprints had probably been as common as weeds, and the owner of the box the probable culprit. He shielded the print from the sun with his own shadow while trying to unfold it further. In the lower right-hand corner was a printed rectangle containing, in simple block letters, various titles, dates, "patent numbers," reference numbers, and names. His eye traveled down the list until it encountered: "CIRCUIT DESIGN BY: Leibowitz, I.E."
He closed his eyes tightly and shook his head until it seemed to rattle. Then he looked again. There it was, quite plainly:
CIRCUIT DESIGN BY: Leibowitz, I.E.
The name was written in a clear feminine hand, not in the hasty scrawl of the other notes. He looked again at the initialed signature of the note in the lid of the box: I.E.L.--and again at "CIRCUIT DESIGN BY. . ." And the same initials appeared elsewhere throughout the notes.
There had been argument, all highly conjectural, about whether the beatified founder of the Order, if finally canonized, should be addressed as Saint Isaac or as Saint Edward. Some even favored Saint Leibowitz as the proper address, since the Beatus had, until the present, been referred to by his surname.
"Beate Leibowitz, ora pro me!" whispered Brother Francis. His hands were trembling so violently that they threatened to ruin the brittle documents.
He had uncovered relics of the Saint.
Excerpted from A Canticle for Leibowitz by Walter M. Miller, Jr. Copyright (c) 1959 by Walter M. Miller, Jr. Excerpted ...
Product details
- Publisher : Spectra (September 2, 1997)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0553379267
- ISBN-13 : 978-0553379266
- Item Weight : 12 ounces
- Dimensions : 5.2 x 1.1 x 8.1 inches
- Best Sellers Rank: #3,702,140 in Books (See Top 100 in Books)
- #24,045 in Post-Apocalyptic Science Fiction (Books)
- Customer Reviews:
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Customers find the story interesting, unique, and amazing. They describe the book as well worth reading, remarkable, and good enough to hold their attention. Readers also mention that the questions the book raises are intriguing and deeply theological. They find the characters compelling and human. However, some find the pacing slow and tiring to read. Opinions are mixed on the writing quality, with some finding it beautiful and well presented, while others say it's wordy and excessively obtuse.
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Customers find the story interesting and thought-provoking. They say it has a unique premise and complex world-building. Readers also mention that the story carries them along. In addition, they describe it as a highly regarded work of post-apocalyptic fiction.
"...The third Canticle, though, brings the novel to a powerful close. In 3781, the now technologically advanced society prepares for another nuclear war...." Read more
"...Poignant, haunting, and uncommonly accurate in depiction, A Canticle for Leibowitz functions as a sort of Hubble Space Telescope turned towards the..." Read more
"...Jr. for my English course because, I was told, it’s a timeless science fiction novel that explores the idea of a dystopia in a unique, powerful way...." Read more
"...It is a deep read, but not one to struggle through. The story carries you along. I highly recommend it." Read more
Customers find the book interesting, remarkable, and engaging. They say it holds their attention and is one of the deepest books they have read in years. Readers also mention the book is enjoyable, albeit ponderous and depressing.
"...To my surprise, it became one of the most thought-provoking books our group has discussed...." Read more
"...arc welder light of technology is mesmerizing, nuanced, and yes, brilliant, hearkening back to the role of the Church as protector and promoter of..." Read more
"...in the three parts of the novel, making it an engaging read filled with unpredictable, shocking turns...." Read more
"...There is much moral philosophy. It is a deep read, but not one to struggle through. The story carries you along. I highly recommend it." Read more
Customers find the book thought-provoking, with deep theology and intriguing questions. They say it's fascinating and some parts are unnervingly prophetic. Readers also mention the moral philosophy and complex world-building.
"...The first, Fiat Homo (“Let There Be Man”), was especially fascinating to me...." Read more
"...My high expectations were largely met: the society of the novel is fascinating, the ideas are original, and the novel’s implications are frightening...." Read more
"...This is not your ordinary science fiction story. There is much moral philosophy. It is a deep read, but not one to struggle through...." Read more
"...means everything; a bit of sociological sci fi, post-apocalyptic, apocalyptic, steampunk, alternate history, space opera, lost worlds, and a talking..." Read more
Customers have mixed opinions about the humor of the book. Some find it serious, entertaining, and engaging, while others say it's slow-paced and boring.
"...of just how good sci-fi CAN be, when brilliant wordsmithing, sophisticated humor, and an excellent tale are couched in richly layered philosophy and..." Read more
"...Miller develops his characters through actions.There is a quiet humor here, a belief in the ability of humanity to preserve something worth..." Read more
"...that is insignificant to the story and the novel’s purpose - it made the book boring and difficult to read at times...." Read more
"...Although understated, a strong sarcasm permeates the narrative...." Read more
Customers find the characters compelling and human. They also say the book is a fine study into the nature of man.
"...Hannegan,Thon Taddeo, and Dom Paulo are believable, dynamic characters that exemplify the conflict between the church, which is derived from the..." Read more
"...Miller does a wonderful job of creating this world with believable characters...." Read more
"...Those characters are mostly sympathetic, with conflicts coming from differing agendas and opinions rather than just good vs evil...." Read more
"...Miller includes many interesting characters—monks, scientists, doctors, thieves, etc...." Read more
Customers find the book terrifying, haunting, and chilling. They say it has harrowing moments and philosophical discussions.
"...Poignant, haunting, and uncommonly accurate in depiction, A Canticle for Leibowitz functions as a sort of Hubble Space Telescope turned towards the..." Read more
"...novel is fascinating, the ideas are original, and the novel’s implications are frightening...." Read more
"...There are battles, harrowing moments, philosophical discussions, and space flights...." Read more
"...And then it will be repeated all over again. The book is downright scary in that respect...." Read more
Customers have mixed opinions about the writing quality of the book. Some mention it's superbly written, beautiful, and well-presented. However, others say it's not an easy read, some words are not readable, and the book is very wordy.
"...the faithful, a reminder of just how good sci-fi CAN be, when brilliant wordsmithing, sophisticated humor, and an excellent tale are couched in..." Read more
"...The vivid descriptions of the setting and the convincing characters created by Miller make this portion of the novel an easy read, for the most..." Read more
"...at the same time, making the second section of the novel the most difficult to read...." Read more
"...Though long in text and literary scope, A Canticle for Leibowitz is easy to read in spite of all the Latin...." Read more
Customers find the pacing of the book very slow. They say it requires patience to appreciate it fully. Readers also mention it's tiring to read and not a feel-good kind of read.
"...and unorthodox writing style is typical of Miller and can make for a difficult read...." Read more
"My husband found it to be a very slow going story. The best part was in probably the last 15 pages. Definitely wasn't what he expected." Read more
"It's a slow-paced read, with memorable characters and an interesting plot...." Read more
"...It is a slow read at times...." Read more
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Set after a global nuclear war known as the “Flame Deluge,” the novel explores humanity’s struggle to rebuild civilization amidst the ruins. In the wake of the war, there is a violent backlash against knowledge and technology, culminating in the “Simplification,” where mobs of “Simpletons” destroy books and kill anyone with learning. Interestingly, a Jewish electrical engineer named Isaac Edward Leibowitz survives the chaos and joins a Cistercian monastery. He is convinced that he must dedicate his life to preserving human knowledge through the secretive “booklegging” of hidden texts. Eventually, he founds the Albertian Order of Leibowitz in the desert of the American Southwest, whose charism is rooted in the preservation of any remnants of scientific and cultural knowledge they can find.
The novel is divided into three sections or “canticles,” each set centuries apart. The first, Fiat Homo (“Let There Be Man”), was especially fascinating to me. Set in the 26th century, civilization has regressed to a medieval-like way of living. The story opens during Lent with Brother Francis, a religious novice, fasting and praying in the desert. While keeping vigil, Brother Francis stumbles upon a fallout shelter containing artifacts from the Venerable Leibowitz, igniting a series of events that reflect the tension in the Abbey between honoring Leibowitz and his values and the need to survive in a culture that wants nothing to do with the past or its knowledge.
The second canticle, Fiat Lux (“Let There Be Light”), was more difficult for me. Set in 3174, civilization has evolved to an Industrial Revolution-like state. The Abbey, at this point, is both a place of spiritual significance and a center of technological discovery, as the monks work to discover electricity. They have heard the myths that electricity existed before, but many do not believe it, because they cannot believe that man, having had such luxury, would waste it on war.
The third Canticle, though, brings the novel to a powerful close. In 3781, the now technologically advanced society prepares for another nuclear war. The Abbey is assembling a group of priests, sisters, and children to colonize the moon. The Abbot is convinced that history is about to repeat itself, so he sends the gospel, sacraments, relics of knowledge, and innocent children away (never to return) so that mankind can have another chance somewhere away from the nuclear holocaust that has begun.
As the Abbot feared, the bombs begin to drop and the Abbey is overrun with victims and refugees. While the Abbot works to send pilgrims away, he still has to tend to the flock that remained behind. This canticle has an incredible storyline exploring euthanasia as compassionate care. The Abbot and a doctor engage in a powerful debate about what is true care for those who are suffering.
In each section, the Gospel persists. And in each, Christians are faced with intense and interesting ethical dilemmas. The novel’s exploration of faith, human resilience, and the cyclical nature of history is profound. Although I found parts of the second canticle slow and frustrating, the novel as a whole was a rewarding experience. A Canticle for Leibowitz offers a rare blend of science fiction, history, and theology, and I can see why Joseph Pearce considers it essential reading.
The tale itself is bi-apocalyptic, in and of itself filling a very sparsely populated niche. Beginning with Francis, a young applicant to the Brotherhood of the Order of Leibowitz, fasting and praying in the post nuclear war ruins of what had 600 years earlier been the United States, and subsequently stumbling upon an intact fallout shelter, a story spanning many centuries unfurls. Technology reawakens, Lucifer in nuclear form begins once more to stalk the earth.
William Miller Jr. published his only novel (the sequel to Canticle was not written by Miller) in 1959. The date is important for context. The Cuban Missile Crisis, arguably the closest that mankind ever came to nuclear annihilation, was a mere three years in the future. The threat of nuclear war was pervasive, a common topic in magazines as popular as Time, Newsweek, and U.S. News and World Report was the building of fallout shelters; every major U.S. city had designated underground shelters for civilians stocked with olive drab square five gallon tins containing water, medical supplies, and survival biscuits that tasted something like a cross between dust and graham crackers. Virtually every school routinely went through nuclear war drills, in which the Civil Defense sirens would go off, the students would "duck and cover" under their desks to wait until the all clear signal was given. Daytime images of Nikita Khrushchev pounding his shoe on the lectern and saying "We will annihilate you" merged in my mind with the 2 AM growl and roar of the Strategic Air Command nuclear armed B-52's doing practice launches against the USSR from nearby Beale Air Force Base. Few books, if any, have captured the ubiquitous dread of those years as well as Miller's.
At the same time, the Catholic Church with its pre-Vatican II liturgy in full Latin throat, was at a peak in terms of mystery and majesty, long before its loss of priest and nun vocations, long before what atheist Christopher Hutchens refers to as the Church's "No Child's Behind Left policy" become a scourge of the Church's image. Miller's depiction of postulant training, the role of the Church in the preservation of pre-apocalyptic knowledge (including the mysterious sacred relic from St. Leibowitz himself that reads "Pound pastrami, can kraut, six bagels"), and the Church's role in trying to preserve the gentle candle light of the soul side by side with the eyeball frying arc welder light of technology is mesmerizing, nuanced, and yes, brilliant, hearkening back to the role of the Church as protector and promoter of knowledge during the Dark Ages. If there is much that is dated (and there isn't much) about this tale, it is the idea of the contemporary Catholic Church as a beacon in the age of intellectual darkness.
There are other sci-fi tales that eschew space opera and military hardware to examine the role of religion in an age of nearly omnipotent technology, e.g. Mary Doria Russell's The Sparrow, a gentle but provocative tale of the Jesuits privately financing an expedition to make first contact with a nearby alien civilization. But there is something special in the intensity of the technology versus science duel in Canticle for Leibowitz, the awkward waltz that results when the two ways of knowledge WANT to dance, but can't avoid treading each other's toes into pulp. I suspect the articulate, profound, and tragic conversation on the topic is a direct reflection of William Miller Jr.'s own trichotomy: an excellent scientist, a man of liberal arts education, a person of great religious passion. It was no small struggle for Miller to resolve, who eventually took his own life.
Miller's quest in this book, though, is not to give us one more iteration of the potential conflict between science and religious faith (though he does address this), it is a bigger fish, maybe a Leviathan, that is at the core of his search: does the very nature of being human condemn us to endless cycles of destruction and redemption. Poignant, haunting, and uncommonly accurate in depiction, A Canticle for Leibowitz functions as a sort of Hubble Space Telescope turned towards the surface of the Earth, rather than towards the stars, with the resulting images no less spell-binding. Bravo, William Miller, Jr., and thanks for the gift you bequeathed to us.